So today after 10 years, I found out that I've been living a block away from a drummer that played professionally for 25 years. Maybe I can convince him to give me lessons.
Pro Drummer Neighbor
I HIT TO HARD
When I play live that is. At band practice I hit just fine. But I guess its the fact that I cant hear all that well live mixed with adrenaline that makes me start bashing.
The bad thing is that hitting so hard effects my technique in a negative way and keeps my playing from being as smooth as it normally is. This whole issue has been on going for me.
The bad thing is that hitting so hard effects my technique in a negative way and keeps my playing from being as smooth as it normally is. This whole issue has been on going for me.
I HIT TO HARD
The level system?
I'm wondering what people think about the level system. I've studied with a few different teachers and heard competing arguments, not sure which I believe.
I've heard teachers say that the only proper way to play accents is to use the level system - prepare for the accented note on the unaccented note before it. And I've heard teachers who just laugh at that. One sat at the drums with both sticks way up, like in free stroke ready position, and said "Have you ever seen a drummer at the start of a song like this"? He then had me study lifting the stick for each stroke, rather than prepare the stick on the previous stroke.
I've heard teachers say that the only proper way to play accents is to use the level system - prepare for the accented note on the unaccented note before it. And I've heard teachers who just laugh at that. One sat at the drums with both sticks way up, like in free stroke ready position, and said "Have you ever seen a drummer at the start of a song like this"? He then had me study lifting the stick for each stroke, rather than prepare the stick on the previous stroke.
The level system?
Rogers dynasonic snare drum
Hello - Will you provide some pointers if there is a difference in sound or construction quality between a Big R badge dynasonic versus an oval (script) badge dynasonic. I am thinking of buying one but on ebay there is a material price difference between a Cleveland era dyna versus a late 70s dyna. But is it only because of collection value or there are tangible sound differences.
Also what about a 70s script (oval) badge dynasonic versus a mid 70s Big R. Did the sound of dyna evolve over 60s and 70s ?
Also what about a 70s script (oval) badge dynasonic versus a mid 70s Big R. Did the sound of dyna evolve over 60s and 70s ?
Rogers dynasonic snare drum
I'm back! And here's what I've been doing.
Hi everyone, I'm back after a long time. I've been busy recording and producing our album.
Just released our first single off it.
This song features Ashe O'Hara of (ex TesseracT and Voices From the Fuselage).
Hope you enjoy the music video. I doubt anyone will be blown away by it but, it is what it is I suppose...
http://ift.tt/1vL4IVr
Just released our first single off it.
This song features Ashe O'Hara of (ex TesseracT and Voices From the Fuselage).
Hope you enjoy the music video. I doubt anyone will be blown away by it but, it is what it is I suppose...
http://ift.tt/1vL4IVr
I'm back! And here's what I've been doing.
Theater Drumming Articles
Hey guys,
Have a look at an article I wrote for About.com re: getting and managing theater drumming gigs. The first one is more general musician tips but the others are more drum-centric. Let me know what you think!
I'll post more if you want.
http://ift.tt/1AFSmhz
How to Land a Musical Theater Gig
Theater musician. High pressure? Yup. Technically challenging? Very. The rewards? Huge. Aside from the fact that you will play some of the most beautifully arranged music that defines the Great American Songbook, you will work in one of the last remaining musical spheres that enjoys union control. That equates to being treated professionally and paid fairly. And…. wait for it…. No schlepping your gear every night!
The musician’s role in the “pit” is distinct from other venues. There are specific challenges and some of them can be extremely counter intuitive. I’ve boiled down my (cough, cough) 38 years of pit mongering for you to read. Hopefully you’ll learn to avoid the pitfalls I’ve found myself in!
Here’s some tips on how to get started.
Go to see shows. Be a familiar face to the musicians and music directors ("MDs," who conduct the orchestra and direct the singers onstage). In the words of Woody Allen, “Eighty percent of success is showing up!”
Do a little research, and find out who’s on the gigs. Pretty much all high-end theater is union work, so join the union. When you do, you’ll get a handbook with all the local musician’s contact info. The union office keeps records of who’s playing what shows.
Start at the community/regional theater level. You will see many of the same musicians and conductors in the regional houses who play the big shows.
Go to the pit/stage door, and meet the musicians there. Meet the MD. Believe it or not, theater musicians are always looking for qualified subs.
Keep an updated résumé, Facebook page, and website so people can have a look at what you are up to.
Never underestimate the power of kissing ass. Really!
The more homework you do beforehand, the more attractive you’ll look as a sub. Buy the soundtrack and familiarize yourself with the tunes. Run through it by playing along.
Ask the musician directly if you can sub for him. It’s very important that you don’t have someone else ask for you! You will benefit by showing respect and approaching him/her yourself.
When you offer to sub, hand a business card to the musician—not the MD! The musician on the gig will get suspicious if you schmooze the MD on his gig.
Give out your card. On it, link to a simple website with your bio and performance clips. This will them easily find out what you are all about.
Dress nicely when you approach them! Some music directors have a strict dress policy for the pit. You should look put together and professional.
REPEAT! Become a familiar face to the local players. Then, they'll think of you when they need a sub, and that will help you get your foot in the door.
Good luck, and see you on the downbeat!
###
Russ Gold is an active drummer and clinician. He is author of Phrasing: Advanced Rudiments for Creative Drumming (Berklee Press, 2014).
Have a look at an article I wrote for About.com re: getting and managing theater drumming gigs. The first one is more general musician tips but the others are more drum-centric. Let me know what you think!
I'll post more if you want.
http://ift.tt/1AFSmhz
How to Land a Musical Theater Gig
Theater musician. High pressure? Yup. Technically challenging? Very. The rewards? Huge. Aside from the fact that you will play some of the most beautifully arranged music that defines the Great American Songbook, you will work in one of the last remaining musical spheres that enjoys union control. That equates to being treated professionally and paid fairly. And…. wait for it…. No schlepping your gear every night!
The musician’s role in the “pit” is distinct from other venues. There are specific challenges and some of them can be extremely counter intuitive. I’ve boiled down my (cough, cough) 38 years of pit mongering for you to read. Hopefully you’ll learn to avoid the pitfalls I’ve found myself in!
Here’s some tips on how to get started.
Go to see shows. Be a familiar face to the musicians and music directors ("MDs," who conduct the orchestra and direct the singers onstage). In the words of Woody Allen, “Eighty percent of success is showing up!”
Do a little research, and find out who’s on the gigs. Pretty much all high-end theater is union work, so join the union. When you do, you’ll get a handbook with all the local musician’s contact info. The union office keeps records of who’s playing what shows.
Start at the community/regional theater level. You will see many of the same musicians and conductors in the regional houses who play the big shows.
Go to the pit/stage door, and meet the musicians there. Meet the MD. Believe it or not, theater musicians are always looking for qualified subs.
Keep an updated résumé, Facebook page, and website so people can have a look at what you are up to.
Never underestimate the power of kissing ass. Really!
The more homework you do beforehand, the more attractive you’ll look as a sub. Buy the soundtrack and familiarize yourself with the tunes. Run through it by playing along.
Ask the musician directly if you can sub for him. It’s very important that you don’t have someone else ask for you! You will benefit by showing respect and approaching him/her yourself.
When you offer to sub, hand a business card to the musician—not the MD! The musician on the gig will get suspicious if you schmooze the MD on his gig.
Give out your card. On it, link to a simple website with your bio and performance clips. This will them easily find out what you are all about.
Dress nicely when you approach them! Some music directors have a strict dress policy for the pit. You should look put together and professional.
REPEAT! Become a familiar face to the local players. Then, they'll think of you when they need a sub, and that will help you get your foot in the door.
Good luck, and see you on the downbeat!
###
Russ Gold is an active drummer and clinician. He is author of Phrasing: Advanced Rudiments for Creative Drumming (Berklee Press, 2014).
Theater Drumming Articles
My Snare Collection with Reviews
Imgur album to part of my collection
Pearl Session Studio Classic - 14 x 5
The Session Studio is made up of a birch/kapur blend. This drum is definitely the punchiest of the bunch. It has incredible low end despite being shorter in depth than the other snares while possessing enough tone to cut into the mix. I use this as a main on my second kit designed with genres lighter than metal or alternative rock. Definitely recommend for sound quality and for it also being one of the cheapest of the whole inventory.
Tama S.L.P. G-Maple - 13 x 7
The G-Maple is what I use for a side snare to the Session Studio. I tune it higher and it provides a nice contrast to the low punch. It has very little decay and overtones, which makes it nice for fast tempos and music that is not overly busy/loud. Great for a solid hip back beat.
Pearl Sensitone Elite Beaded Aluminum - 14 x 5
The Sensitone Aluminum has a great crisp pop. Depending on the genre I'll switch the Session Studio for this to get a lighter sound. Being metal it has less low end punch (but still there) and you get a purer tone. I also tune it higher and the projection on this snare is really good as well. Great for a less beefier, crack sound.
Pearl Sensitone Elite Beaded Brass - 14 x 6.5
This Sensitone Brass is what I use for my main on my larger kit, which is best suited for getting a big sound. The snare is very sensitive and has a very wet sound to it. Rings beautifully while cutting through very well. You will hear overtones unless you muffle it heavily, but to me it sounds great with them. The intrinsic tone backs up the attack of the snare on every note. Personally, since I do play metal with this kit, it could use a bit more low end, but the depth gives it enough to get by. I could also use it in any other genre with no issues. Plenty body for a metal snare, but not as much as wood. I would consider this a good general purpose snare, but especially nice for a high crack with washy tone for metal.
Pearl Limited Edition Kapur - 14 x 6.5
The Limited Edition Kapur is a good snare, but I'd have to say it is the most bland of my inventory. That's not to say it sounds bad, just doesn't blow me away on many points. It has a well rounded pop with a full sound. Nothing sticks out particularly but it's comfortable to listen to. I use it as a side snare to my metal kit alongside the Sensitone Brass as it does have more body so it's useful at times. The Kapur is unoffensive but you might want something with more flavor. If you want to upgrade your snare and can't decide what spectrum of sound you want to lean towards, grab this.
Pearl Firecracker - 10 x 5
To be honest I don't really use the Firecracker all that much. I've been thinking I should've gotten the 12 x 5 version as I feel the 10 is too quiet and has a very narrow tuning range. Too tight and it chokes very easily. Too low and it just sounds bad. It lacks in projection, so I would only bring this to a gig with mics or to a small beach bar. I can see the potential for reggae or light ska music, but it's a very specialized sort of sound. I'd only get this if you know it's the sound you need or want, because it's the only sound you'll be able to get out of it. Cool for a little effect snare, but it sees very little playing in my experience.
Ludwig Black Beauty with Super Sensitive Snares - 14 x 5
The Black Beauty SS is very nice and a great centerpiece, but I do not use it anymore, mostly for the sake of retaining value! I used this snare before I got the Sensitone Brass and while it was very versatile, I needed something with more ummph. The sonic characteristics of the BB-SS are exactly what I describe for the Sensitone Brass, albeit more refined and narrower in depth. It is what a brass snare aspires to sound like, but from the price tag and the delicate nature of it, I couldn't say I'd buy it again. It's a cool thing to have and I loved having it, but for my everyday uses, there are more suited snares for me. If you happen to land on one you won't hate, but you might be disappointed in how much you may or may not love it.
Pearl Session Studio Classic - 14 x 5
The Session Studio is made up of a birch/kapur blend. This drum is definitely the punchiest of the bunch. It has incredible low end despite being shorter in depth than the other snares while possessing enough tone to cut into the mix. I use this as a main on my second kit designed with genres lighter than metal or alternative rock. Definitely recommend for sound quality and for it also being one of the cheapest of the whole inventory.
Tama S.L.P. G-Maple - 13 x 7
The G-Maple is what I use for a side snare to the Session Studio. I tune it higher and it provides a nice contrast to the low punch. It has very little decay and overtones, which makes it nice for fast tempos and music that is not overly busy/loud. Great for a solid hip back beat.
Pearl Sensitone Elite Beaded Aluminum - 14 x 5
The Sensitone Aluminum has a great crisp pop. Depending on the genre I'll switch the Session Studio for this to get a lighter sound. Being metal it has less low end punch (but still there) and you get a purer tone. I also tune it higher and the projection on this snare is really good as well. Great for a less beefier, crack sound.
Pearl Sensitone Elite Beaded Brass - 14 x 6.5
This Sensitone Brass is what I use for my main on my larger kit, which is best suited for getting a big sound. The snare is very sensitive and has a very wet sound to it. Rings beautifully while cutting through very well. You will hear overtones unless you muffle it heavily, but to me it sounds great with them. The intrinsic tone backs up the attack of the snare on every note. Personally, since I do play metal with this kit, it could use a bit more low end, but the depth gives it enough to get by. I could also use it in any other genre with no issues. Plenty body for a metal snare, but not as much as wood. I would consider this a good general purpose snare, but especially nice for a high crack with washy tone for metal.
Pearl Limited Edition Kapur - 14 x 6.5
The Limited Edition Kapur is a good snare, but I'd have to say it is the most bland of my inventory. That's not to say it sounds bad, just doesn't blow me away on many points. It has a well rounded pop with a full sound. Nothing sticks out particularly but it's comfortable to listen to. I use it as a side snare to my metal kit alongside the Sensitone Brass as it does have more body so it's useful at times. The Kapur is unoffensive but you might want something with more flavor. If you want to upgrade your snare and can't decide what spectrum of sound you want to lean towards, grab this.
Pearl Firecracker - 10 x 5
To be honest I don't really use the Firecracker all that much. I've been thinking I should've gotten the 12 x 5 version as I feel the 10 is too quiet and has a very narrow tuning range. Too tight and it chokes very easily. Too low and it just sounds bad. It lacks in projection, so I would only bring this to a gig with mics or to a small beach bar. I can see the potential for reggae or light ska music, but it's a very specialized sort of sound. I'd only get this if you know it's the sound you need or want, because it's the only sound you'll be able to get out of it. Cool for a little effect snare, but it sees very little playing in my experience.
Ludwig Black Beauty with Super Sensitive Snares - 14 x 5
The Black Beauty SS is very nice and a great centerpiece, but I do not use it anymore, mostly for the sake of retaining value! I used this snare before I got the Sensitone Brass and while it was very versatile, I needed something with more ummph. The sonic characteristics of the BB-SS are exactly what I describe for the Sensitone Brass, albeit more refined and narrower in depth. It is what a brass snare aspires to sound like, but from the price tag and the delicate nature of it, I couldn't say I'd buy it again. It's a cool thing to have and I loved having it, but for my everyday uses, there are more suited snares for me. If you happen to land on one you won't hate, but you might be disappointed in how much you may or may not love it.
My Snare Collection with Reviews
Have You Heard of Brady Drums?
They are from Australia, they seem to be well made, i like the sound of their snares, but i haven't been able to find a video of how their kits sound like.
Have you heard of them?
Have you heard of them?
Have You Heard of Brady Drums?
From There to Here: Revisiting a Life in Music
From There to Here: Revisiting My Life in Music
by Scott K Fish
Scott K Fish's writing space circa 2012
A new friend, a musician, upon learning of my Modern Drummer past, can't believe it. "No! You were managing editor of Modern Drummer?" His reaction surprises me. I think, "Well, somebody has to be managing editor of Modern Drummer."
I was hired as Modern Drummer's managing editor in 1980, part of a MD's transition to nine issues a year from six issues. I stayed exactly three years. October 1980 to October 1983.
My friend asks, "How did you get that gig?" My short answer: "The publisher was looking to hire a drummer who could write. I fit the bill." That answer usually works to change the topic of conversation. But my new musician friend is still curious and keeps asking detailed questions. He is like a little kid. In response to every question I answer, he asks, "Why?"
Also, I was on the phone recently with a Maine State University professor interested in my speaking to a class of music majors about a career, or supplemental career, in music journalism.
How do I condense a half-century of my musical life into brief remarks that might help college students? Thinking about that, and also coming up with answers for my musician friend, has me remembering*people and places - influences - for the first time in a long, long time. Some days it feels like I'm solving a 1000-piece music career jigsaw puzzle.
I knew very early - age six - I wanted to play drums. Around age 18 I also wanted to be a writer. Not just a music writer. A*writer. How did I get from there, to Modern Drummer, to here? Looking back over those 58 years - can I recall moments - good and bad - that might help aspiring music journalists and drummers?
There's one way to find out. And Life Beyond the Cymbals blog is the perfect place to post pieces of my story, my jigsaw puzzle. I will commit to at least one post a week until the puzzle is complete. As always, I welcome your questions and comments.
-end-
Scott K Fish Blog: Life Beyond the Cymbals
by Scott K Fish
Scott K Fish's writing space circa 2012
A new friend, a musician, upon learning of my Modern Drummer past, can't believe it. "No! You were managing editor of Modern Drummer?" His reaction surprises me. I think, "Well, somebody has to be managing editor of Modern Drummer."
I was hired as Modern Drummer's managing editor in 1980, part of a MD's transition to nine issues a year from six issues. I stayed exactly three years. October 1980 to October 1983.
My friend asks, "How did you get that gig?" My short answer: "The publisher was looking to hire a drummer who could write. I fit the bill." That answer usually works to change the topic of conversation. But my new musician friend is still curious and keeps asking detailed questions. He is like a little kid. In response to every question I answer, he asks, "Why?"
Also, I was on the phone recently with a Maine State University professor interested in my speaking to a class of music majors about a career, or supplemental career, in music journalism.
How do I condense a half-century of my musical life into brief remarks that might help college students? Thinking about that, and also coming up with answers for my musician friend, has me remembering*people and places - influences - for the first time in a long, long time. Some days it feels like I'm solving a 1000-piece music career jigsaw puzzle.
I knew very early - age six - I wanted to play drums. Around age 18 I also wanted to be a writer. Not just a music writer. A*writer. How did I get from there, to Modern Drummer, to here? Looking back over those 58 years - can I recall moments - good and bad - that might help aspiring music journalists and drummers?
There's one way to find out. And Life Beyond the Cymbals blog is the perfect place to post pieces of my story, my jigsaw puzzle. I will commit to at least one post a week until the puzzle is complete. As always, I welcome your questions and comments.
-end-
Scott K Fish Blog: Life Beyond the Cymbals
From There to Here: Revisiting a Life in Music
Impact Isolating Riser - My New Design - Plans and Guide
Greetings all.
My name is Brian Jackson and this is my first post here, so wanted to introduce myself. I recently purchased a new e-kit for use in the studio and immediately discovered an issue with downstairs neighbors. Kick pedal impact. Unfortunately it's a worst-case-scenario because the lower neighbors are my soon to be in-laws, and the studio is directly above their bedroom.
I'd done a good bit of research on the subject (I'm an architectural engineer by trade), but wasn't really thrilled with the popular DIY solutions that were out there. Simply reducing impact noise wasn't good enough, it had to be totally eliminated. So I put my engineering skills to work on the problem.
What I ended up with works so well I thought I'd start out by making a contribution to the forum in the form of freely-downloadable plans and builders guide, which I will attempt to attach to this post. It's a DIY isolating platform that can be built in a day for under $100 from readily available materials without any specialized tools.
Though it was primarily designed for e-kits, the dimensions can increase to accommodate larger kits if impact noise is a problem. Might be overkill in some situations, but if you need a total solution, it's worth considering. FYI, the hardwood floor under the platform didn't even register when measuring with a sensitive seismograph at hard playing force.
I look forward to meeting and learning from some of you here.
Respectfully,
Brian Jackson
(Oops... apparently the forum will not accept either file because they're slightly over 488kb. I will try to link externally.)
My name is Brian Jackson and this is my first post here, so wanted to introduce myself. I recently purchased a new e-kit for use in the studio and immediately discovered an issue with downstairs neighbors. Kick pedal impact. Unfortunately it's a worst-case-scenario because the lower neighbors are my soon to be in-laws, and the studio is directly above their bedroom.
I'd done a good bit of research on the subject (I'm an architectural engineer by trade), but wasn't really thrilled with the popular DIY solutions that were out there. Simply reducing impact noise wasn't good enough, it had to be totally eliminated. So I put my engineering skills to work on the problem.
What I ended up with works so well I thought I'd start out by making a contribution to the forum in the form of freely-downloadable plans and builders guide, which I will attempt to attach to this post. It's a DIY isolating platform that can be built in a day for under $100 from readily available materials without any specialized tools.
Though it was primarily designed for e-kits, the dimensions can increase to accommodate larger kits if impact noise is a problem. Might be overkill in some situations, but if you need a total solution, it's worth considering. FYI, the hardwood floor under the platform didn't even register when measuring with a sensitive seismograph at hard playing force.
I look forward to meeting and learning from some of you here.
Respectfully,
Brian Jackson
(Oops... apparently the forum will not accept either file because they're slightly over 488kb. I will try to link externally.)
Impact Isolating Riser - My New Design - Plans and Guide
What Snare did Joey Jordison use in 1999-2000 ?
Hello everyone.
I would like to know what snare did joey jordison use in 1999 - 2000 World domination tour ?
The snare is shown in this video:
http://ift.tt/1N27XNv
Thanks.
I would like to know what snare did joey jordison use in 1999 - 2000 World domination tour ?
The snare is shown in this video:
http://ift.tt/1N27XNv
Thanks.
What Snare did Joey Jordison use in 1999-2000 ?
John Densmore: Elvin Jones Was My Idol
One-On-One With Doors Drummer John Densmore (Part 2)
Jim Clash Contributor –*1/23/2015 @ 5:04PM
JC: You weren’t a straight 4/4 drummer. There was a jazzy, bossa nova feel. Who were your early influences?
John Densmore: Elvin Jones was my idol…. And I saw all the great jazz drummers. Stewart Copeland…says, ‘Me, John [Densmore] and Mitch Mitchell, the Jimi Hendrix drummer, are jazz-rock drummers,’ and he’s right. He says John Bonham [Led Zeppelin] was more of a titanic rock drummer, a giant heavy sound with big emphasis on the bass drum. Me, Stewart and Mitch were more about the hands, and fills – not just doing a 2/4. Examples of those fills were in Light My Fire, The Music’s Over and The End.
Fulll Story
Scott K Fish Blog: Life Beyond the Cymbals
Jim Clash Contributor –*1/23/2015 @ 5:04PM
JC: You weren’t a straight 4/4 drummer. There was a jazzy, bossa nova feel. Who were your early influences?
John Densmore: Elvin Jones was my idol…. And I saw all the great jazz drummers. Stewart Copeland…says, ‘Me, John [Densmore] and Mitch Mitchell, the Jimi Hendrix drummer, are jazz-rock drummers,’ and he’s right. He says John Bonham [Led Zeppelin] was more of a titanic rock drummer, a giant heavy sound with big emphasis on the bass drum. Me, Stewart and Mitch were more about the hands, and fills – not just doing a 2/4. Examples of those fills were in Light My Fire, The Music’s Over and The End.
Fulll Story
Scott K Fish Blog: Life Beyond the Cymbals
John Densmore: Elvin Jones Was My Idol
Lamb of God - The Faded Line (Drum cover)
http://ift.tt/1Ez8FOR
Hi everyone! Here is my new cover. Hope you'll enjoy it. Your comments are welcome)
Hi everyone! Here is my new cover. Hope you'll enjoy it. Your comments are welcome)
Lamb of God - The Faded Line (Drum cover)
Is live music dead?
Shocked to see how little great musicians play for these days.
Not shocked to see promoters prefer low cost/low hassle DJs
Amazed at the general disinterest in live music in a music club anywhere in the world.
Not amazed when I consider the number of choices one has to entertain/stimulate oneself in this here age that we live in.
There was a magic to witnessing a group of people making music together.
Has that been replaced by the iphone? selfies? Snapchats?
Interested to hear from all generations of music lovers
PS- RIP Mr. Live long & prosper
Not shocked to see promoters prefer low cost/low hassle DJs
Amazed at the general disinterest in live music in a music club anywhere in the world.
Not amazed when I consider the number of choices one has to entertain/stimulate oneself in this here age that we live in.
There was a magic to witnessing a group of people making music together.
Has that been replaced by the iphone? selfies? Snapchats?
Interested to hear from all generations of music lovers
PS- RIP Mr. Live long & prosper
Is live music dead?
The best advise EVER!!
So, I'm watching another YouTube video.. Benny Greb makes a fantastic point.. Certain people sound better than others playing the same beat because...it's all about 3 things...
1) What you play (not that important)
2) How you play it (very important)
3) Why you play it (also very important)
http://ift.tt/1EySTDv
11:35 into the video, but watch the whole video if you haven't seen it. It's really a treat.
Peace, Defender
1) What you play (not that important)
2) How you play it (very important)
3) Why you play it (also very important)
http://ift.tt/1EySTDv
11:35 into the video, but watch the whole video if you haven't seen it. It's really a treat.
Peace, Defender
The best advise EVER!!
Please help to identify cymbal
Hello from Ukraine:)
I have recently found next Zildjian cymbal.
It is 15 inch, and has no marks(
Could you say anything about the year and model?
Thanks
I have recently found next Zildjian cymbal.
It is 15 inch, and has no marks(
Could you say anything about the year and model?
Thanks
Please help to identify cymbal
Pearl Maple Free Floating Snare modded to 8" Depth
vendredi 27 février 2015
Here is a quick shot of some of the fun I have had with what used to be a 14 x 6.5 maple shelled pearl floater.
I decided I wanted more depth along with a nice crack. The follow are the results.
A local drum shop made the shell I needed. It is a 6.5" deep shell with a bearing edge on one end. Once I got it home, I sanded it and hit it with 3 coats of clear lacquer spray. The floater chassis adds 1.5" of depth. I simply ordered longer tension rods and bam, I have an 8" deep snare.
Also notice the marching snare hoop. I play with tight heads and noticed that I had deformed the die cast batter hoop. To keep this from happening again, I bought a marching snare hoop off ebay and my machinist buddy drill it for a 10 lug pattern. This worked out very well for me as I no longer have to worry about deforming this hoop. It does take the ring out for a nice dry woody crack, and rim shots are killer!
I decided I wanted more depth along with a nice crack. The follow are the results.
A local drum shop made the shell I needed. It is a 6.5" deep shell with a bearing edge on one end. Once I got it home, I sanded it and hit it with 3 coats of clear lacquer spray. The floater chassis adds 1.5" of depth. I simply ordered longer tension rods and bam, I have an 8" deep snare.
Also notice the marching snare hoop. I play with tight heads and noticed that I had deformed the die cast batter hoop. To keep this from happening again, I bought a marching snare hoop off ebay and my machinist buddy drill it for a 10 lug pattern. This worked out very well for me as I no longer have to worry about deforming this hoop. It does take the ring out for a nice dry woody crack, and rim shots are killer!
Pearl Maple Free Floating Snare modded to 8" Depth
Remembering my parts
When I write my drum parts for my bands songs I really try to write things that are creative and challenging. The problem sometimes is its hard as crap for me to remember all the variations of things that I write in a song. Eventually over time I'm able to commit it to memory. But sometimes that seems to take forever. Granted I do have a pretty crappy memory. Sometimes it really drives me nuts.
I write all of my drum parts out on music paper that way I don't forget anything. And I read the parts off the paper while were playing and while I'm practicing by myself until I commit it to memory. But like I said, sometimes it can take forever for me to commit it to memory for some reason.
I have no intention of ever dumbing down my drum parts just to make them easier for me to remember. I just wish they were easier for me to remember faster.
Anybody else have this problem? If so what are your super duper memory tricks that really help you out?
I write all of my drum parts out on music paper that way I don't forget anything. And I read the parts off the paper while were playing and while I'm practicing by myself until I commit it to memory. But like I said, sometimes it can take forever for me to commit it to memory for some reason.
I have no intention of ever dumbing down my drum parts just to make them easier for me to remember. I just wish they were easier for me to remember faster.
Anybody else have this problem? If so what are your super duper memory tricks that really help you out?
Remembering my parts
How to make hi-hats swing sideways?
Hi everyone,
I've seen some videos of Steve Smith, Jojo Mayer, etc. playing music where they kept pretty quick time on the left foot and the hats moved in an interesting way -- they kind of "swung" back and forth, left and right, with each note, instead of just staying put. Does anyone know how to adjust hi-hat stands / clutches to achieve this effect? If you need pics and/or video for clarification tell me and I'll add some.
I've seen some videos of Steve Smith, Jojo Mayer, etc. playing music where they kept pretty quick time on the left foot and the hats moved in an interesting way -- they kind of "swung" back and forth, left and right, with each note, instead of just staying put. Does anyone know how to adjust hi-hat stands / clutches to achieve this effect? If you need pics and/or video for clarification tell me and I'll add some.
How to make hi-hats swing sideways?
And we fizzled out....
The band I'm in. Fizzled. POOF!
We've only had 1 rehearsal since early December and a week ago tried to get together again but failed. I think we're nothing more than a once-a-month fun time jam band. Maybe the occasional backyard BBQ birthday party band. Or not.
I just deleted our FB page since I really have nothing to put on it, no pics, no vids, nada. Kind of embarrassing actually.
So I'm looking. Again....
Thanks for letting me cry. lol
We've only had 1 rehearsal since early December and a week ago tried to get together again but failed. I think we're nothing more than a once-a-month fun time jam band. Maybe the occasional backyard BBQ birthday party band. Or not.
I just deleted our FB page since I really have nothing to put on it, no pics, no vids, nada. Kind of embarrassing actually.
So I'm looking. Again....
Thanks for letting me cry. lol
And we fizzled out....
Can't seem to play fast
Every time I'm in Sam Ash or any music store for that matter I feel ashamed to hit practice pads, because everyone always goes lightning quick and I always play slow and a turtle, using my wrists with german grip and hitting hard. What sucks even more is that I play in a metal band, so when I have to play blast beats I feel ashamed and play them super slow.
To make matters worse, my guitarist (who never played drums before) borrowed my practice pad for a bit and a few weeks later he started blast beating quicker than I could ever play, flying finger technique and all. Of course he had no groove, but still, kind of frustrating. I tried the flying finger technique and can't seem to get any rebound out of it, I just hit everything too hard and use my wrists without trying to.
If I was quicker I'd feel good about my drumming. That's all that's been holding me back. My feet are slow too, I play with double bass and use my entire legs to stomp on the pedals. I hit the bass drum louder than anything by far. I can't pass 16th notes on 150 bpm, while everyone else seems to warm up on like 180 bpm. Every time I practice with my ankles I flam everything and my shins start to kill me. No matter how much I practice it I can't get it.
Any tips or advice would be much appreciated. I'm extremely hard on myself.
To make matters worse, my guitarist (who never played drums before) borrowed my practice pad for a bit and a few weeks later he started blast beating quicker than I could ever play, flying finger technique and all. Of course he had no groove, but still, kind of frustrating. I tried the flying finger technique and can't seem to get any rebound out of it, I just hit everything too hard and use my wrists without trying to.
If I was quicker I'd feel good about my drumming. That's all that's been holding me back. My feet are slow too, I play with double bass and use my entire legs to stomp on the pedals. I hit the bass drum louder than anything by far. I can't pass 16th notes on 150 bpm, while everyone else seems to warm up on like 180 bpm. Every time I practice with my ankles I flam everything and my shins start to kill me. No matter how much I practice it I can't get it.
Any tips or advice would be much appreciated. I'm extremely hard on myself.
Can't seem to play fast
Teaching Young Children
Hello fellow drummers!
I am currently at a loss. I recently began teaching lessons to a 5 year old. It the first time I've taught at that age level. I researched quite a bit before I taught the first few lessons. Many drummers recommended games that will teach the child but keep him/her focused and having fun. I have not had much luck finding fun/teachable drumming games for this age. Do you have any ideas of child's games I could turn into a music/drum related games? Or music games in general?
All suggestions would be appreciated.
I am currently at a loss. I recently began teaching lessons to a 5 year old. It the first time I've taught at that age level. I researched quite a bit before I taught the first few lessons. Many drummers recommended games that will teach the child but keep him/her focused and having fun. I have not had much luck finding fun/teachable drumming games for this age. Do you have any ideas of child's games I could turn into a music/drum related games? Or music games in general?
All suggestions would be appreciated.
Teaching Young Children
16 inch bass drum heads
I know there are other theads on this topic but I figure its time for a new one.
I just took the wrap off my pearl rhythm travellers and stained them. Ill have pics and stuff in another thread.
Anyway, after some thought I just bought an Aquarian performance 2 without dot for the batter and a remo black suede emp for the reso. It didnt hurt the remo was on clearance for 9 bucks.
Ill let you guys know what i think. But what I want to know is what you guys that have a 16 kick are currently using and what you have tried in the past and to what degree of success.
I just took the wrap off my pearl rhythm travellers and stained them. Ill have pics and stuff in another thread.
Anyway, after some thought I just bought an Aquarian performance 2 without dot for the batter and a remo black suede emp for the reso. It didnt hurt the remo was on clearance for 9 bucks.
Ill let you guys know what i think. But what I want to know is what you guys that have a 16 kick are currently using and what you have tried in the past and to what degree of success.
16 inch bass drum heads
Today only - 2/27/2015
Two maybe good things if you're in the market:
http://ift.tt/1qBcT3e
20% off an order of $199 or more,
and: http://ift.tt/1axh6iq
Mapex 500 Double Bass Drum Pedal - Today's Price- $79.99
There's some drum related stuff at interstate I'd like, but I'm
already at my spending quota - LOL
http://ift.tt/1qBcT3e
20% off an order of $199 or more,
and: http://ift.tt/1axh6iq
Mapex 500 Double Bass Drum Pedal - Today's Price- $79.99
There's some drum related stuff at interstate I'd like, but I'm
already at my spending quota - LOL
Today only - 2/27/2015
Congrats on the new attendance record!
Just a quick congrats to Bernhard on the forum once again, as the number of users ever online at one time hit a new record high on Friday February 20th and membership still seems to be growing. Thanks for having us! Peace.
Congrats on the new attendance record!
Hollow by Trio SVD
Hey guys,
Here's a brand new clip by my jazz trio, the Trio SVD. You'll hear a cool composition of our guitar player, Vincent Duhaime-Perreault. I even do a short drum solo in 7 near the end. Hope you'll appreciate it.
http://ift.tt/1wsAKk1
Thanks for watching.
Here's a brand new clip by my jazz trio, the Trio SVD. You'll hear a cool composition of our guitar player, Vincent Duhaime-Perreault. I even do a short drum solo in 7 near the end. Hope you'll appreciate it.
http://ift.tt/1wsAKk1
Thanks for watching.
Hollow by Trio SVD
Possible project
Hey everyone! I have a technical question to ask: what's the best way to remove an old wrap from a drum?
I'm asking because I have a Yamaha YD series 14x14 floor Tom that I want to convert into a ballad-style snare, but it has a really ugly and beat up black wrap on it.
I'm asking because I have a Yamaha YD series 14x14 floor Tom that I want to convert into a ballad-style snare, but it has a really ugly and beat up black wrap on it.
Possible project
need help with learning and subdividing odd time signatures
hey guys jumped over from the talkbass forum to ask this question, recently I watched a drumeo video with matt garstka playing and a someone had asked him a question about improving odd time signatures and the way he explained it just kinda opened me up to thinking about it in different totally different ways! are there any books that you guys would recommend for reading in different time sigs and beginner polyrhythms? I know listening is always the biggest part of it and most of the time I can pick it up but man that part just made me think about it a whole different way!
here is the link of the video it starts at 1:01:22
http://ift.tt/1CMTmNZ
here is the link of the video it starts at 1:01:22
http://ift.tt/1CMTmNZ
need help with learning and subdividing odd time signatures
Can you turn an "intermediate" kit into a "pro" kit?
Ok, this will cause a stir i bet :P Continuing from my last post, i thought id pose a similar but different question. Could you TURN an intermediate kit into a pro kit? I go back to my old example:
So guys, what do you say to things like that?
Quote:
Ok, i spent today being around a lot of drums (yay!) both vintage and new, and i came to ask myself what really makes a pro kit? Something that really caught me were 3 kits in particular: Hayman vintage Hayman big sound (modern one) Sonor Bop kit SE First thing i noticed were what these kits represented. The vintage hayman was a pro kit, the big sound was marketed (and reviewed as in the mags i have) a semi pro kit. The sonor bop se as just an intro level kit. I then looked at the hardware, and the sonor by far had nicer and sturdier. Then the shells, all were poplar, the sonors were sharper and more in round and only difference were haymans had an interior coating. So i sat in wonder, why the better built sonor is so many grades lower in standing when its quality is far superior? So then i got out a c&c player date. Poplar shells, in round, sharp bearing edges like the sonor. And they sounded pretty darn similar. Im not sure if the sizes were the same id hear much of a difference, all i found were the c&c had some clear coating inside and projected more. So what, is the only difference in a pro kit here an interior coating? That if i go to my limited edition martini kit and give it an interior lacquer and ask either andy or highwood drums to do a full bearing edge redo it would be a pro kit? |
So guys, what do you say to things like that?
Can you turn an "intermediate" kit into a "pro" kit?
Price Check - Yamaha DTX 535k
I bought this kit a couple of years ago, I swear it was 1800$ new but what would you guys say would be a reasonable price for this now used?
http://ift.tt/1BnzWCS
Thank you.
http://ift.tt/1BnzWCS
Thank you.
Price Check - Yamaha DTX 535k
Yamaha Pad vs Roland SPD 30
Yamaha DTX-MULTI 12 Digital Percussion Pad
http://ift.tt/1BnzWmu
VS
Roland SPD-30
http://ift.tt/1LROmfO
Any experience with these? I like the design of the Roland better, what would you guys recommend getting?
http://ift.tt/1BnzWmu
VS
Roland SPD-30
http://ift.tt/1LROmfO
Any experience with these? I like the design of the Roland better, what would you guys recommend getting?
Yamaha Pad vs Roland SPD 30
Backstreet Boys
Ok, so yesterday i went to see them live, which was my valentines gift to my lovely fiance. It was preceeded by a documentary of how they evolved today and bits, and christ if these guys didnt go through a rough lot (lost 80% of all income due to manager claiming manager fees, tax manager fees and 6th member fees) and on the side running a $300,000,000 ponzi scheme. To top it off one member had open heart surgery and was told the next day to be back on stage, and another had to go through same after having 2 knees replaced. Anyhow, documentary was actually good, but the live performance was actually rather amazing. It was an acoustic set, 3 guitars and i must confess really nicely planned out. The documentary and live performance gave me a lot of newfound respect for these guys. I also found out live they use a full band, and even give them solos etc, and they give them a great deal of respect and from the start said "make your own interpretation when playing". I just thought that was very nice. Anyhow, just thought id spread my thoughts :)
Backstreet Boys
Easy DW Pedal Modification
Anyone here over notice how once DW changed their pedals over to a dual chain design that the pedal felt heavier? I noticed what seemed to me as a drastic difference in feel between a single chain 5000 and a dual chain 5000.
Upon closer inspection it appears that when DW went to the dual chain design, the foot board position was moved forward as well. At the end of the beater stroke, the chain was nearly perpendicular to the ground whereas the older single chain design had the chain angled back towards the heel plate a bit.
The angle of the chain as you may know is one of the major design changes that sets the Tama Speed Cobra apart from the regular Iron Cobra. The pearl powershifter feature also worked by changing the chain angle through foot board position.
So here is what I did to my DW 7000 pedals to lighten the feel and improve them:
1. Using most of the original pedal parts, I flipped the hinge and mounted it on top of the heel plate which moved the whole foot board back, increasing the chain angle. I did have to use slightly longer screws to attach the hinge to the heel plate. The heel plate did require a little grinding so nothing rubbed the hinge.
2. I indexed the cam forward 1 "flat" to ensure there was still slack in the chain when the pedal rebounded.
3. Installed the dw 5000 ball bearing hinge.
4. Installed the dw high tension spring.
All said and done, the pedal has a MUCH lighter feel and it is easier to get volume out of them at speed because of the mechanical advantage the increased spring angle gives you over the pedal. The addition of the ball bearing hinge and heavy duty spring make the pedal smoother and more responsive as well.
Upon closer inspection it appears that when DW went to the dual chain design, the foot board position was moved forward as well. At the end of the beater stroke, the chain was nearly perpendicular to the ground whereas the older single chain design had the chain angled back towards the heel plate a bit.
The angle of the chain as you may know is one of the major design changes that sets the Tama Speed Cobra apart from the regular Iron Cobra. The pearl powershifter feature also worked by changing the chain angle through foot board position.
So here is what I did to my DW 7000 pedals to lighten the feel and improve them:
1. Using most of the original pedal parts, I flipped the hinge and mounted it on top of the heel plate which moved the whole foot board back, increasing the chain angle. I did have to use slightly longer screws to attach the hinge to the heel plate. The heel plate did require a little grinding so nothing rubbed the hinge.
2. I indexed the cam forward 1 "flat" to ensure there was still slack in the chain when the pedal rebounded.
3. Installed the dw 5000 ball bearing hinge.
4. Installed the dw high tension spring.
All said and done, the pedal has a MUCH lighter feel and it is easier to get volume out of them at speed because of the mechanical advantage the increased spring angle gives you over the pedal. The addition of the ball bearing hinge and heavy duty spring make the pedal smoother and more responsive as well.
Easy DW Pedal Modification
Real Life Whiplash
Last night I hosted jam night. The jammers use my drum set. And I provide three drum sticks in case they need them.
This guy decides he wants to play drums. Usually drummers bring in their own sticks, but not this guy.
He proceeds to bang the drums as hard as he can. The band was playing some Zeppelin stuff.
OK with me. He kept good time. But had some pretty bad technique.
He was really pounding away and he broke one drum stick. First time in two years that happened. Again it is OK with me.
But then this morning I pull out the two remaining sticks from the jam and I find this:
OK, so do I simply wash the blood off and continue on?
Or do I throw them away?
I know one thing, I'm not going to use them the next time I play !!!!!
.
This guy decides he wants to play drums. Usually drummers bring in their own sticks, but not this guy.
He proceeds to bang the drums as hard as he can. The band was playing some Zeppelin stuff.
OK with me. He kept good time. But had some pretty bad technique.
He was really pounding away and he broke one drum stick. First time in two years that happened. Again it is OK with me.
But then this morning I pull out the two remaining sticks from the jam and I find this:
OK, so do I simply wash the blood off and continue on?
Or do I throw them away?
I know one thing, I'm not going to use them the next time I play !!!!!
.
Real Life Whiplash
What makes a pro kit?
Ok, i spent today being around a lot of drums (yay!) both vintage and new, and i came to ask myself what really makes a pro kit?
Something that really caught me were 3 kits in particular:
Hayman vintage
Hayman big sound (modern one)
Sonor Bop kit SE
First thing i noticed were what these kits represented. The vintage hayman was a pro kit, the big sound was marketed (and reviewed as in the mags i have) a semi pro kit. The sonor bop se as just an intro level kit. I then looked at the hardware, and the sonor by far had nicer and sturdier. Then the shells, all were poplar, the sonors were sharper and more in round and only difference were haymans had an interior coating. So i sat in wonder, why the better built sonor is so many grades lower in standing when its quality is far superior? So then i got out a c&c player date. Poplar shells, in round, sharp bearing edges like the sonor. And they sounded pretty darn similar. Im not sure if the sizes were the same id hear much of a difference, all i found were the c&c had some clear coating inside and projected more. So what, is the only difference in a pro kit here an interior coating? That if i go to my limited edition martini kit and give it an interior lacquer and ask either andy or highwood drums to do a full bearing edge redo it would be a pro kit?
Quesitons :P
Something that really caught me were 3 kits in particular:
Hayman vintage
Hayman big sound (modern one)
Sonor Bop kit SE
First thing i noticed were what these kits represented. The vintage hayman was a pro kit, the big sound was marketed (and reviewed as in the mags i have) a semi pro kit. The sonor bop se as just an intro level kit. I then looked at the hardware, and the sonor by far had nicer and sturdier. Then the shells, all were poplar, the sonors were sharper and more in round and only difference were haymans had an interior coating. So i sat in wonder, why the better built sonor is so many grades lower in standing when its quality is far superior? So then i got out a c&c player date. Poplar shells, in round, sharp bearing edges like the sonor. And they sounded pretty darn similar. Im not sure if the sizes were the same id hear much of a difference, all i found were the c&c had some clear coating inside and projected more. So what, is the only difference in a pro kit here an interior coating? That if i go to my limited edition martini kit and give it an interior lacquer and ask either andy or highwood drums to do a full bearing edge redo it would be a pro kit?
Quesitons :P
What makes a pro kit?
How does v-drums work
Hey guys
I'm currently building my own electronic drum kit and was wondering how v-drums actually work. The Classic d.i.y solution for drum triggers is a contact mic attached to some surface that you hit. However, are v-drums the same? The reason why I'm asking is that I need a lot of very precise sensitivity in my drums as I suffer from a disability that weakens my muscles, however, that is another and much longer story:) Anyway, If you guys know something about the
construction of electronic drums, especially v-drums I would be very happy
Thanks in advance
Best regards
- Kasper
I'm currently building my own electronic drum kit and was wondering how v-drums actually work. The Classic d.i.y solution for drum triggers is a contact mic attached to some surface that you hit. However, are v-drums the same? The reason why I'm asking is that I need a lot of very precise sensitivity in my drums as I suffer from a disability that weakens my muscles, however, that is another and much longer story:) Anyway, If you guys know something about the
construction of electronic drums, especially v-drums I would be very happy
Thanks in advance
Best regards
- Kasper
How does v-drums work
simulating electronic sounds on the drums
Hi- I have a House/D&B gig coming up. Anyone have cool ideas for simulating electronic or just interesting sounds with an acoustic kit that would fit well with this type of music (think JoJo Mayer).
Along the lines of putting a splash or cymbal ring on the snare, using a particular cymbal stack, or one of those crashers.
Along the lines of putting a splash or cymbal ring on the snare, using a particular cymbal stack, or one of those crashers.
simulating electronic sounds on the drums
Quick grips 8mm/ 6mm question
I recently purchased a 4 pack of Tama quick set cymbal mates:
http://ift.tt/1FETYru
I used these on some older Pearl stands I have and replaced the wing nuts with these. They work great and I love them. The Pearl stands are all 8mm and these fit perfectly.
I have 2 Sonor 6 mm and they do not work. I have searched all over and cannot find any quick grips that are made for 6 mm, does anyone know of any or am I better off just selling the stands and getting ones that are 8mm? Thank you.
http://ift.tt/1FETYru
I used these on some older Pearl stands I have and replaced the wing nuts with these. They work great and I love them. The Pearl stands are all 8mm and these fit perfectly.
I have 2 Sonor 6 mm and they do not work. I have searched all over and cannot find any quick grips that are made for 6 mm, does anyone know of any or am I better off just selling the stands and getting ones that are 8mm? Thank you.
Quick grips 8mm/ 6mm question
Remembering My Uncle Bob Fish
Remembering My Uncle Bob Fish
by Scott K Fish
Speaking of drums, this is a detail from a family gathering photo taken in 1955. L-R in that photo, I'm on the right, age four. My cousin Gregg Fish is next to me. To Gregg's right is his father, my Uncle Bob.
Bob Fish sparked my lifelong love of drums through his own drumming, his record collection, and the talks we had about drummers.
Ten years after this photo was taken, Uncle Bob died. He lived in Massachusetts, and I lived on Long Island, NY. We saw each other on holidays and probably other family visits. But, on balance, and especially compared with today's connectivity with social media and smart phones - our time together was very, very brief.
It is worth us adults remembering what a powerful impact we can have on kids, for better or worse, even for a lifetime.
Scott K Fish Blog: Life Beyond the Cymbals
by Scott K Fish
Speaking of drums, this is a detail from a family gathering photo taken in 1955. L-R in that photo, I'm on the right, age four. My cousin Gregg Fish is next to me. To Gregg's right is his father, my Uncle Bob.
Bob Fish sparked my lifelong love of drums through his own drumming, his record collection, and the talks we had about drummers.
Ten years after this photo was taken, Uncle Bob died. He lived in Massachusetts, and I lived on Long Island, NY. We saw each other on holidays and probably other family visits. But, on balance, and especially compared with today's connectivity with social media and smart phones - our time together was very, very brief.
It is worth us adults remembering what a powerful impact we can have on kids, for better or worse, even for a lifetime.
Scott K Fish Blog: Life Beyond the Cymbals
Remembering My Uncle Bob Fish
Snare Drum made from Seamless Stainless Steel Pipe
In my line of work, I have access a lot of metal and piping. I decided to that I am going to experiment and make a snare drum out of 14” seamless stainless steel pipe. The thickness is 3/8” or roughly 9.5mm. The bearing edge will be a single 45 with a 1/8” (3 mm) radiused edge. The “shell” will be faced on the other end for fitment into a pearl free floating chassis. The shell depth is 7” making for an 8.5” overall depth once in the floater chassis. This will take a few weeks to get made and I will try and post a good video.
Snare Drum made from Seamless Stainless Steel Pipe
?uestlove's new Tonight Show Kit
Hi everyone, ...
If this has been posted, I'm sorry, but I did do a fairly diligent search. Anyhow ....has anyone seen ?uestlove's new Ludwig kit on The Tonight Show?
It's a 4 stripe vertical (I think it's 4) in silvers and charcoal but it's a wrap sparkle finish (can't find a pic either). Silver in the middle, then at the ends it's black sparkle ...it's REALLY NICE!
Anyone?! :)
If this has been posted, I'm sorry, but I did do a fairly diligent search. Anyhow ....has anyone seen ?uestlove's new Ludwig kit on The Tonight Show?
It's a 4 stripe vertical (I think it's 4) in silvers and charcoal but it's a wrap sparkle finish (can't find a pic either). Silver in the middle, then at the ends it's black sparkle ...it's REALLY NICE!
Anyone?! :)
?uestlove's new Tonight Show Kit
Tony Royster Jr.
I have recently discovered the greatness of Tony Royster Jr. He is by far 1 of the greatest drummers alive right now. I wanted to know what everyone else's thoughts are about Tony and if you guys think he's as good as I think he is.
Tony Royster Jr.
This video is fantastic! Jojo Mayer is a beast
jeudi 26 février 2015
It's so crazy that Jojo Mayer can use the same techniques as Buddy Rich so flawlessly.
This is a must watch http://ift.tt/1840g8Z
This is a must watch http://ift.tt/1840g8Z
This video is fantastic! Jojo Mayer is a beast
Snare Drum Tuning: The Neil Peart Sound
Hi all, it's me again with another question...
So, I just searched YouTube for over 45 minutes looking for a video on how to tune my snare drum to get that super tight, punchy and very distinctive Neil Peart sound. I came up completely empty.
Over the years and many, many drum sets and manufacturers the one thing that seems to remain the same (or pretty damn close) is the Neil Peart Snare sound.
Currently I tune my top head and my bottom head to an A4 (at least that's what my phone app says). I love Rush and love Peart's amazing sound even more. I completely understand that some of him sound comes from micing and placement and perhaps even a small amount of effects.
I'm just wondering if there's anyone out here in Drummerworld forum land that can help me achieve something close. I'd like to try this out with my Tama Starclassic 14 x 6.5.
Any help is appreciated, Defender
So, I just searched YouTube for over 45 minutes looking for a video on how to tune my snare drum to get that super tight, punchy and very distinctive Neil Peart sound. I came up completely empty.
Over the years and many, many drum sets and manufacturers the one thing that seems to remain the same (or pretty damn close) is the Neil Peart Snare sound.
Currently I tune my top head and my bottom head to an A4 (at least that's what my phone app says). I love Rush and love Peart's amazing sound even more. I completely understand that some of him sound comes from micing and placement and perhaps even a small amount of effects.
I'm just wondering if there's anyone out here in Drummerworld forum land that can help me achieve something close. I'd like to try this out with my Tama Starclassic 14 x 6.5.
Any help is appreciated, Defender
Snare Drum Tuning: The Neil Peart Sound
Hi-Hats: Tight or loose????
Just like the title says, do you prefer your hi-hats tight or loose? By this I don't mean pedal tension, I'm speaking of the tightness of the clutch on the top hi-hat cymbal.
I'm trying to figure out the best configuration here, and I'm just looking for some opinions.
Talk about how you like yours and what type of music you play the most when they are the way they are.
Peace, Defender
I'm trying to figure out the best configuration here, and I'm just looking for some opinions.
Talk about how you like yours and what type of music you play the most when they are the way they are.
Peace, Defender
Hi-Hats: Tight or loose????
Shell Tap Tone
I must admit I've been a skeptic about tapping the shell to tune the drum, but then:
http://ift.tt/1FAnONP
PPXrPdwzrI0
BTW has any drummer successfully integrated a log drum into the set? I know they used to use Chinese temple blocks.
http://ift.tt/1FAnONP
PPXrPdwzrI0
BTW has any drummer successfully integrated a log drum into the set? I know they used to use Chinese temple blocks.
Shell Tap Tone
Day Tripper
First thread in this section...so long virginity!
This is my band, Jump The Shark, during out 2-and-a-halfth gig last weekend.
http://ift.tt/1LLDQql
This is my band, Jump The Shark, during out 2-and-a-halfth gig last weekend.
http://ift.tt/1LLDQql
Day Tripper
Advice please?
I've been drumming now for less than 2 years. Taking lessons every week, practicing every day, playing along to tracks and really enjoying it. I think that there's not so much point though unless I can play with other people so I put an advert on gumtree and bandmix looking for bands to play and gig with.
And, holy moly, I've now got three bands interested in me trying out with them at the same time. I'm pretty excited and pretty scared at the same time. I've not played drums with other musicians before let alone established bands with a long list of gig dates in the coming months.
OK, so I'm not a spring chicken and in my late 40's. I've not got much 'attitude' and I'm pretty laid back. I've gigged before as a bass player, and I know it's going to be hard work but, does anyone have any advice as to how to approach the try out? It's mostly classic rock stuff (Stones, Bryan Adams, Van Morrison etc.) Do I just keep it simple and not try to put in complicated fills? Will I come across as boring just keeping a simple 4/4 beat?
What was your first try out like? Any big mistakes to avoid?
And, holy moly, I've now got three bands interested in me trying out with them at the same time. I'm pretty excited and pretty scared at the same time. I've not played drums with other musicians before let alone established bands with a long list of gig dates in the coming months.
OK, so I'm not a spring chicken and in my late 40's. I've not got much 'attitude' and I'm pretty laid back. I've gigged before as a bass player, and I know it's going to be hard work but, does anyone have any advice as to how to approach the try out? It's mostly classic rock stuff (Stones, Bryan Adams, Van Morrison etc.) Do I just keep it simple and not try to put in complicated fills? Will I come across as boring just keeping a simple 4/4 beat?
What was your first try out like? Any big mistakes to avoid?
Advice please?
Using tuning to muffle 18" bass?
Heya,
I have a 8"/13"/18" bop kit put together out of some new Sonor Force 3005 Maple drums I got recently. The 18" bass drum came from the seller with an EMAD batter and an EMAD resonant with a port hole -- for my purposes, I felt obligated to replace those. I put on a Remo Fiberskyn 3 batter as well as a Fiberskyn 3 bass reso, and the sound is fantastic. The tone, timbre, and feel are perfect for the warm jazz sound I like. The only issue is the sustain. I'd like to find a way to tune the heads so that they have the tone I like but without the ringing, and without using any external muffling. Are there any thoughts on how to do this?
I have a 8"/13"/18" bop kit put together out of some new Sonor Force 3005 Maple drums I got recently. The 18" bass drum came from the seller with an EMAD batter and an EMAD resonant with a port hole -- for my purposes, I felt obligated to replace those. I put on a Remo Fiberskyn 3 batter as well as a Fiberskyn 3 bass reso, and the sound is fantastic. The tone, timbre, and feel are perfect for the warm jazz sound I like. The only issue is the sustain. I'd like to find a way to tune the heads so that they have the tone I like but without the ringing, and without using any external muffling. Are there any thoughts on how to do this?
Using tuning to muffle 18" bass?
Using tuning to muffle 18" bass?
Heya,
I have a 8"/13"/18" bop kit put together out of some new Sonor Force 3005 Maple drums I got recently. The 18" bass drum came from the seller with an EMAD batter and an EMAD resonant with a port hole -- for my purposes, I felt obligated to replace those. I put on a Remo Fiberskyn 3 batter as well as a Fiberskyn 3 bass reso, and the sound is fantastic. The tone, timbre, and feel are perfect for the warm jazz sound I like. The only issue is the sustain. I'd like to find a way to tune the heads so that they have the tone I like but without the ringing, and without using any external muffling. Are there any thoughts on how to do this?
I have a 8"/13"/18" bop kit put together out of some new Sonor Force 3005 Maple drums I got recently. The 18" bass drum came from the seller with an EMAD batter and an EMAD resonant with a port hole -- for my purposes, I felt obligated to replace those. I put on a Remo Fiberskyn 3 batter as well as a Fiberskyn 3 bass reso, and the sound is fantastic. The tone, timbre, and feel are perfect for the warm jazz sound I like. The only issue is the sustain. I'd like to find a way to tune the heads so that they have the tone I like but without the ringing, and without using any external muffling. Are there any thoughts on how to do this?
Using tuning to muffle 18" bass?
New beat without engraved logo
Hi,
Is it possible that there New beat Hi-hat without the Zildjian small engraved logo?
Thanks
Kafou
Is it possible that there New beat Hi-hat without the Zildjian small engraved logo?
Thanks
Kafou
New beat without engraved logo
Has anyone read the book "The Wrecking Crew"?
I found this book very entertaining. I relate to it because it was the music that helped shape me in my formative years.
I wanted to see who read it and if there were any favorite parts.
I liked the whole damn thing. All the stories really capture my imagination.
It is about the LA recording scene from the late 50's to the 70's or so.
It focuses on a core group of musicians who played on the backing tracks to the majority of the hit records coming out of LA during that time.
Kind of like how the Funk Brothers backed all the great Motown vocal groups.
Really fun read about the days when being a musician was still lucrative.
I wanted to see who read it and if there were any favorite parts.
I liked the whole damn thing. All the stories really capture my imagination.
It is about the LA recording scene from the late 50's to the 70's or so.
It focuses on a core group of musicians who played on the backing tracks to the majority of the hit records coming out of LA during that time.
Kind of like how the Funk Brothers backed all the great Motown vocal groups.
Really fun read about the days when being a musician was still lucrative.
Has anyone read the book "The Wrecking Crew"?
2.3 mm Hoops vs Power-Hoops
I can't find any info on Gretsch's or Pearls site with regards to their 2.3 mm hoops. My new Gretsch Retro-Luxe snare has 2.3 mm hoops, and I have a set of Pearl Power-Hoops and was wondering if anyone knew if they are of the same quality or if the the Power-hoops are any better quality. Thanks
2.3 mm Hoops vs Power-Hoops
I thought this was strange....
mercredi 25 février 2015
I wonder if this has happened to anyone else. It has only happened to me twice now.
On my new Ludwig Signet Gigabeat kit, for the life of me, the 14x14 floor tom only sounded good with both the stock heads and when I replaced them with a coated emperor on top and clear ambassador on the bottom, with a high jazz tuning. No problem going for that tone. But I had a helluva time getting it tuned down low and meaty - and for a couple of days I was pondering if I inherited a lemon drum. Literally, that whole first week I had it, I de-tuned, removed heads, started over, and it would only sing tuned up higher than I'd like.
Today, after I let the kit sit for a couple of days because I was working and couldn't play them since I get home really late, I went at the floor tom again, and surprisingly, it tuned down. Now it tuned to a nice meaty pitch. I dropped the tuning of my rack tom too, and now the kit is displaying to me what it should be able to do: be tuned at any range and sound good.
Like I said, this only happened to me once before long ago with a bad set of drums, so I expected it there. But I was kinda' disappointed my new Signet floor tom wouldn't tune low, and thought I'd be limited to a Elvin Jones sound (not a bad sound, just not good if you want to play Eagle's music). Now, it suddenly tuned and went to where I wanted it to go. Am I crazy? I know how to tune, so it couldn't be that. Gremlins, perhaps? I dunno.
On my new Ludwig Signet Gigabeat kit, for the life of me, the 14x14 floor tom only sounded good with both the stock heads and when I replaced them with a coated emperor on top and clear ambassador on the bottom, with a high jazz tuning. No problem going for that tone. But I had a helluva time getting it tuned down low and meaty - and for a couple of days I was pondering if I inherited a lemon drum. Literally, that whole first week I had it, I de-tuned, removed heads, started over, and it would only sing tuned up higher than I'd like.
Today, after I let the kit sit for a couple of days because I was working and couldn't play them since I get home really late, I went at the floor tom again, and surprisingly, it tuned down. Now it tuned to a nice meaty pitch. I dropped the tuning of my rack tom too, and now the kit is displaying to me what it should be able to do: be tuned at any range and sound good.
Like I said, this only happened to me once before long ago with a bad set of drums, so I expected it there. But I was kinda' disappointed my new Signet floor tom wouldn't tune low, and thought I'd be limited to a Elvin Jones sound (not a bad sound, just not good if you want to play Eagle's music). Now, it suddenly tuned and went to where I wanted it to go. Am I crazy? I know how to tune, so it couldn't be that. Gremlins, perhaps? I dunno.
I thought this was strange....
Drum Cover (JFAC)
So I did my first drum cover for YouTube. It's a little sloppy, mainly due to me doing it quickly, just wanting to get something out there. But anyways, here it is:
http://ift.tt/17A8x4C
Just a heads-up, it may be kinda loud.
I plan on uploading more in the next week or so. If anybody has tips on mic placement, song suggestions, or any feedback at all, it is appreciated.
http://ift.tt/17A8x4C
Just a heads-up, it may be kinda loud.
I plan on uploading more in the next week or so. If anybody has tips on mic placement, song suggestions, or any feedback at all, it is appreciated.
Drum Cover (JFAC)
Snare problems
I have a LM402. Today I noticed on the reso side, after tightening all the lugs the exact same number of turns, about 6 inches of the left side of the rim was pulled down parallel with the head, while the other side was still a few mm above the head. How can this be? Is my (pretty new) reso head already warped or something? Could it be the drum? I have a hard time believing the metal snare is warped like that, but who knows.
Another thing... my snare wires (also new) can't seem to get tight and crisp, no matter how much I crank the strainer. I've got everything on the snare mechanisms tightened down to hell, but nothing works. The snare response lingers too long. It gets really aggravating.
Any advice on these issues?
Another thing... my snare wires (also new) can't seem to get tight and crisp, no matter how much I crank the strainer. I've got everything on the snare mechanisms tightened down to hell, but nothing works. The snare response lingers too long. It gets really aggravating.
Any advice on these issues?
Snare problems
4-OVER-3-OVER-4 My first instructional video
Hey guys,
Here is my first video of a series about improvisation concepts
Some interesting ways to mix rhythmic ideas ... :
http://ift.tt/17A8x4w
Here is my first video of a series about improvisation concepts
Some interesting ways to mix rhythmic ideas ... :
http://ift.tt/17A8x4w
4-OVER-3-OVER-4 My first instructional video
Rosanna drum cover
Hi Everyone
This is probably my first post here. I'd like to share my cover of the famous Rock tune Rosanna.
Hope you like it. Any feedback is welcome :)
http://ift.tt/1A8mqxf
This is probably my first post here. I'd like to share my cover of the famous Rock tune Rosanna.
Hope you like it. Any feedback is welcome :)
http://ift.tt/1A8mqxf
Rosanna drum cover
Rosanna drum cover
Hi Everyone
This is probably my first post here. I'd like to share my cover of the famous Rock tune Rosanna.
Hope you like it. Any feedback is welcome :)
http://ift.tt/1A8mqxf
This is probably my first post here. I'd like to share my cover of the famous Rock tune Rosanna.
Hope you like it. Any feedback is welcome :)
http://ift.tt/1A8mqxf
Rosanna drum cover
To gap, or not to gap? Fulcrum stuff...
Hey guys, I thought you might dig this video out through Vic Firth: http://ift.tt/1AM6h4u
To gap, or not to gap? Fulcrum stuff...
Mike Clark Interview, The Trap Set
Check out our interview with the legendary Mike Clark, of The Headhunters, Betty Davis, Brand X, etc.
Listen Free!
thetrapset.net
Stay tuned! We have upcoming interviews with: Butch Norton, Steven Adler, Dave Lombardo, Patty Schemel, Jeff "Tain" Watts, Bermuda, and many more!
Who would you like to hear interviewed?
Listen Free!
thetrapset.net
Stay tuned! We have upcoming interviews with: Butch Norton, Steven Adler, Dave Lombardo, Patty Schemel, Jeff "Tain" Watts, Bermuda, and many more!
Who would you like to hear interviewed?
Mike Clark Interview, The Trap Set
Okay, so I really, really don't like my EMAD
Bought a set of Saturn IVs last month that the shop owner had used in a New Year's Eve show. He swapped out the stock batter heads (clear Emporers) with coated Ambassadors on the toms and an EMAD on the kick. I absolutely love the snap of the Ambassadors (I have the same head on my Supraphonic) but the muted/muffled EMAD leaves me sorely disappointed.
I'm thinking I'll just replace the EMAD with another coated Ambassador, unless anyone has another suggestion. I'm just looking to get more life out of the kick. The rest of the kit has a great, snappy response while the kick is more of a boring thud.
Any other suggestions?
I'm thinking I'll just replace the EMAD with another coated Ambassador, unless anyone has another suggestion. I'm just looking to get more life out of the kick. The rest of the kit has a great, snappy response while the kick is more of a boring thud.
Any other suggestions?
Okay, so I really, really don't like my EMAD
Reasonable amount of time to ship a cymbal?
I ordered a 18" Paiste Giant Beat last Wednesday (02/19) from a well-known and reputable online retailer. (I don't want to name anybody at this time.) I paid with Paypal and the money was deducted within a couple of hours. It is now six days later and the online system is still showing "Awaiting Fulfillment". We have had terrible weather along the east coast but this shop is nowhere near bad weather. I have emailed the store and am waiting on a response. Anybody else think this is unreasonable to put a cymbal in a box and ship it out?
Reasonable amount of time to ship a cymbal?
What about the K 15" Light Hi-Hat ?
It's time for me to choose a new Hi-Hat (I'm pretty excited !).
I found on the net, the Zildjian K-Series 15" Light Hi-Hat.
I play on Zildjian K Custom Hybrid Crashes and 20" K Ride. Will it match well ?
I usually play Rock music (In a band, so it has to be quite loud for rehearsal)
BUT I like to play jazz stuff too. Is it quite versatile ?
Have you ever own one ? Is it high quality ?
Feel free to give me other pairs of Hi-Hat (Zildjian First :P ).
Thanks a lot,
Renaud, From Belgium
I found on the net, the Zildjian K-Series 15" Light Hi-Hat.
I play on Zildjian K Custom Hybrid Crashes and 20" K Ride. Will it match well ?
I usually play Rock music (In a band, so it has to be quite loud for rehearsal)
BUT I like to play jazz stuff too. Is it quite versatile ?
Have you ever own one ? Is it high quality ?
Feel free to give me other pairs of Hi-Hat (Zildjian First :P ).
Thanks a lot,
Renaud, From Belgium
What about the K 15" Light Hi-Hat ?
Steve Gadd to play one off show in the UK
Just announced Steve Gadd will play The World’s Greatest Drummer Concert returns on Tuesday 26th May 2015 at the Derngate Theatre, Northampton alongside Steve White, Ian Palmer and the Pete Cater big band. Check out http://ift.tt/1GvgXGu for details and http://ift.tt/1iPylOe for tickets.
Steve Gadd to play one off show in the UK
Parkway Drive - Wild Eyes Drum cover.
Hello. Im going to share my new cover with you. its quite sloppy..hehe. Im not looking for subscribers or anything like that, this is just a hobby while looking for band/a group to form.
http://ift.tt/1DV43Ds
http://ift.tt/1DV43Ds
Parkway Drive - Wild Eyes Drum cover.
Help with an out of round stave drum please!!
Hi all,
First of all, let me say that this is probably not the place for this thread.
I'm referring to a vintage Gon Bops conga drum. It's otherwise a great drum. I've posted on some conga forums, but they get much less traffic so I haven't gotten much response.
It's evidently somewhat common for older hand drums to go out of round due to years of uneven tension, etc. I know that in newer drums, a steel reinforcing ring, called an alma, is now typically installed to prevent this.
Is there there anyone (Keepitsimple? or other drumsmiths) who have experience making stave drums who might have figured out an effective method to bring this drum at least partially back into round? It's about 3/8" out. I know that in a sense we're talking about apples and oranges, but generally speaking, stave shell construction is going to be very similar whether it's a snare or a conga.
Right now, I'm thinking a year or so with a padded pipe clamp on it, slowly tightening it a little bit each month, but I'm not sure I have the patience for that time frame.
SO, if you builders or general woodworkers know of any better method that might help me, I'd appreciate it!
Thanks,
Rob
First of all, let me say that this is probably not the place for this thread.
I'm referring to a vintage Gon Bops conga drum. It's otherwise a great drum. I've posted on some conga forums, but they get much less traffic so I haven't gotten much response.
It's evidently somewhat common for older hand drums to go out of round due to years of uneven tension, etc. I know that in newer drums, a steel reinforcing ring, called an alma, is now typically installed to prevent this.
Is there there anyone (Keepitsimple? or other drumsmiths) who have experience making stave drums who might have figured out an effective method to bring this drum at least partially back into round? It's about 3/8" out. I know that in a sense we're talking about apples and oranges, but generally speaking, stave shell construction is going to be very similar whether it's a snare or a conga.
Right now, I'm thinking a year or so with a padded pipe clamp on it, slowly tightening it a little bit each month, but I'm not sure I have the patience for that time frame.
SO, if you builders or general woodworkers know of any better method that might help me, I'd appreciate it!
Thanks,
Rob
Help with an out of round stave drum please!!
For those who play at church or not.
I came across this article, I don't know if I read this wrong or what. As drummers I'm insulted by this article. Churches have the most unrealistic expectations for sound quality. Just put in the CD and hit play.
http://ift.tt/1zHKFUf
http://ift.tt/1zHKFUf
For those who play at church or not.
Help identifying old cymbal
Found this on CL today. Seller does not know what it is. The lathing suggests it's an "A" but I'm not an expert. Is this possibly a 22" vintage K? I've heard they used to make some of these without stamps. I don't think it looks like a cheap brand simply because the patina and markings suggest significant age. I just don't think those cheap cymbals last that long. Any ideas? For $30 I can't go wrong I guess.
http://ift.tt/1BTq44U
http://ift.tt/1BTq44U
Help identifying old cymbal
Poogie Bell
I've passed his picture on my way to the forum (hah) a couple times this week.
Seriously, how sexy is that drum kit??
Seriously, how sexy is that drum kit??
Poogie Bell
A groove like "Hold the like" ;-)
http://ift.tt/1wneeP4
Good morning drummers ;-)
Monday I made this drum cover by Elio e le storie tese, the groove is amazing like "hold the line" by TOTO ;-)
I hope like it!
Have a nice day, and a nice week
bye
Andrea.
Good morning drummers ;-)
Monday I made this drum cover by Elio e le storie tese, the groove is amazing like "hold the line" by TOTO ;-)
I hope like it!
Have a nice day, and a nice week
bye
Andrea.
A groove like "Hold the like" ;-)
So I think I landed myself a pretty fun gig
mardi 24 février 2015
Texted my singer telling him that I was going to post this here. I asked him what (in his opinion) our style of music was.
His answer was: "Steel cut, blackened and peppered, rock-hopped hip-dipped cock-eyed funk-trunked flat-on-your-back pants-off-dance-off machine".
Okay thanks Nate.
Here's some iphone footage of us opening up for Austin, Texas's "The Suffers" a week or so ago (2/15).
http://ift.tt/17wZr8E
His answer was: "Steel cut, blackened and peppered, rock-hopped hip-dipped cock-eyed funk-trunked flat-on-your-back pants-off-dance-off machine".
Okay thanks Nate.
Here's some iphone footage of us opening up for Austin, Texas's "The Suffers" a week or so ago (2/15).
http://ift.tt/17wZr8E
So I think I landed myself a pretty fun gig
How much is my set worth.
I have a '92 4-piece Pearl MLX, double bass pedal
13" Zildjian A Mastersound Hi-hat
18" Zildjian A Crash
16" Zildjian K Dark Crash
22" Zildjian K Ride
All Pearl hardware.
Thanks in advance!
13" Zildjian A Mastersound Hi-hat
18" Zildjian A Crash
16" Zildjian K Dark Crash
22" Zildjian K Ride
All Pearl hardware.
Thanks in advance!
How much is my set worth.
New Sakae Trilogy kit!
Hey all from Japan!
I just picked up a Sakae Trilogy Kit in a 20x14 12x8 and 14x14 configuration. The bearing edges are rounded over with a 60 degree cut on the inside. I went on a trip to Tokyo and got to try them in person at a store. I was quite shocked at how resonant and how much sustain they had. I was expecting a very pre muffled sound since I thought the rounded edges would put a damper on the sustain. The drums are quite lightweight; the 12” tom weighs barely anything without the rims mount attached. They are round, punchy, and fat, with the sound being focused on the lows and mids, and less on the highs.
I can`t wait to get em to a studio to fully check them out, maybe sometime this weekend, i:ll be able to. Anyway, to anyone on here who wanted to check them out or have questions, let me know! I:ll be getting around to recording some sounds of them soon. Until then, here`s some pix
I just picked up a Sakae Trilogy Kit in a 20x14 12x8 and 14x14 configuration. The bearing edges are rounded over with a 60 degree cut on the inside. I went on a trip to Tokyo and got to try them in person at a store. I was quite shocked at how resonant and how much sustain they had. I was expecting a very pre muffled sound since I thought the rounded edges would put a damper on the sustain. The drums are quite lightweight; the 12” tom weighs barely anything without the rims mount attached. They are round, punchy, and fat, with the sound being focused on the lows and mids, and less on the highs.
I can`t wait to get em to a studio to fully check them out, maybe sometime this weekend, i:ll be able to. Anyway, to anyone on here who wanted to check them out or have questions, let me know! I:ll be getting around to recording some sounds of them soon. Until then, here`s some pix
New Sakae Trilogy kit!
40th Anniversary of Physical Graffiti - How Cool Is This?
Check this out:
http://ift.tt/1DSn87W
Quote:
Today marks the fortieth anniversary of Led Zeppelin's Physical Graffiti, a phenomenal double album that included, among other songs "Houses Of The Holy," "In The Light" and, of course, the monumental "Kashmir." Tomorrow we'll have an interview up with Zeppelin guitarist Jimmy Page, who tells us all about how the album came together. But in the meantime, we can't think of a better way to mark the milestone than with this genuinely incredible performance of "Kashmir," along with a medley of "The Ocean" and "Immigrant Song," by the Louisville Leopard Percussionists, a group of about 60 seven to 12-year-olds from several different schools in Kentucky. The group, which must have the coolest band director on the planet, originally recorded the performance last fall, but Page himself recently posted it to his personal Facebook page, saying it's "too good not to share!" We agree. |
http://ift.tt/1DSn87W
40th Anniversary of Physical Graffiti - How Cool Is This?
Tama Iron Cobra 200 vs. 600 double pedal
Hey guys,
It's me again with more pedal problems/worries. I currently own an Iron Cobra 600 double bass pedal after my PDP Concept Series pedals snapped in half from being a piece of garbage to begin with. I absolutely love the 600's. However, I tend to play very hard on the pedals and according to many people I have a good chance of breaking them playing that way.
So I was thinking of getting an extra pair of cheap (but good) bass pedals just in case they snap during a show, so I was thinking of getting a pair of the 200's as a backup. To make my worries worse, my guitarist was holding my pedals the other day and dropped the left pedal, right on the concrete, and my OCD self started freaking out that they might have broke or have the potential to break when I play on them. It made me more compelled to buy a spare pair.
So, my question is, is the 200's Iron Cobra much different from the 600's to the point where it will feel like a big difference using it as a spare? Also, do you think I'm being OCD for no reason and there's nothing to worry about?
Any replies are appreciated.
It's me again with more pedal problems/worries. I currently own an Iron Cobra 600 double bass pedal after my PDP Concept Series pedals snapped in half from being a piece of garbage to begin with. I absolutely love the 600's. However, I tend to play very hard on the pedals and according to many people I have a good chance of breaking them playing that way.
So I was thinking of getting an extra pair of cheap (but good) bass pedals just in case they snap during a show, so I was thinking of getting a pair of the 200's as a backup. To make my worries worse, my guitarist was holding my pedals the other day and dropped the left pedal, right on the concrete, and my OCD self started freaking out that they might have broke or have the potential to break when I play on them. It made me more compelled to buy a spare pair.
So, my question is, is the 200's Iron Cobra much different from the 600's to the point where it will feel like a big difference using it as a spare? Also, do you think I'm being OCD for no reason and there's nothing to worry about?
Any replies are appreciated.
Tama Iron Cobra 200 vs. 600 double pedal
Going to Istanbul!
Greetings all. So, around Easter, I'll be heading to Istanbul for around three days (and the historical site of Ephesus for two, but that's another story). Because of my fairly limited time, I have very reluctantly ruled out a cymbal factory visit.
I was wondering, however, if anyone here has been there recently, and knows where to go to check out cymbals (and, if it's not a rude question, what prices might be like)? My interwebz research shows that Taksim Square / Istiklal Caddesi seems to be the place for most music stores, but I thought I'd open it up to see if anyone here had any other ideas.
I'm looking forward to hand-carrying a small bag of cymbals home..!
I was wondering, however, if anyone here has been there recently, and knows where to go to check out cymbals (and, if it's not a rude question, what prices might be like)? My interwebz research shows that Taksim Square / Istiklal Caddesi seems to be the place for most music stores, but I thought I'd open it up to see if anyone here had any other ideas.
I'm looking forward to hand-carrying a small bag of cymbals home..!
Going to Istanbul!
Cymbal hunt
Hello fellow drummers!
I have been put in charge of picking out a new cymbal set (two crashes, one ride, and hi-hat cymbals) for a youth team at my home church. I'm searching for something with fairly good quality (nothing huge because it is a younger aged group) but decently priced as well. I'm thinking around $400? I believe Sabian will have a good price and decent cymbals. I looked at AA set but I wasn't sure how those would sound. What would you recommend?
Thanks for your help!
-Ashly
I have been put in charge of picking out a new cymbal set (two crashes, one ride, and hi-hat cymbals) for a youth team at my home church. I'm searching for something with fairly good quality (nothing huge because it is a younger aged group) but decently priced as well. I'm thinking around $400? I believe Sabian will have a good price and decent cymbals. I looked at AA set but I wasn't sure how those would sound. What would you recommend?
Thanks for your help!
-Ashly
Cymbal hunt
On a Cymbal Hunt
Hello fellow drummers!
I have been put in charge of picking out a new cymbal set (two crashes, one ride, and hi-hat cymbals) for a youth team at my home church. I'm searching for something with fairly good quality (nothing huge because it is a younger aged group) but decently priced as well. I'm thinking around $400? I believe Sabian will have a good price and decent cymbals. I looked at AA set but I wasn't sure how those would sound. What would you recommend?
Thanks for your help!
-Ashly
I have been put in charge of picking out a new cymbal set (two crashes, one ride, and hi-hat cymbals) for a youth team at my home church. I'm searching for something with fairly good quality (nothing huge because it is a younger aged group) but decently priced as well. I'm thinking around $400? I believe Sabian will have a good price and decent cymbals. I looked at AA set but I wasn't sure how those would sound. What would you recommend?
Thanks for your help!
-Ashly
On a Cymbal Hunt
The Marcus Williams Fill
With my next lesson approaching on the March 3rd, I'm going over the list of stuff that I'm supposed to have covered since last time. One of the items on my to-do list that I feel I've fallen short on is "The Marcus Williams Fill".
Hitting youtube, I've found the following:
http://ift.tt/1vwwy7w
I've been working on it for a week, and will continue to work on it till lesson time. What I think I'm missing is the context. I've watched a bunch of MW, and can 'kinda-sorta' tell when he's using the pattern by the BD cadence, but have not yet been able to make use of the pattern in any of my imagined or improvised compositions.
Does anyone have any suggested instructional or clear-cut performance examples of this pattern/fill? Is there any advice that you can offer?
Currently, I feel like I'm playing the notes in order and on time without any understanding of why. I'm hoping that there's a karate-kid wax-on-wax-off epiphany in the near future.
Hitting youtube, I've found the following:
http://ift.tt/1vwwy7w
I've been working on it for a week, and will continue to work on it till lesson time. What I think I'm missing is the context. I've watched a bunch of MW, and can 'kinda-sorta' tell when he's using the pattern by the BD cadence, but have not yet been able to make use of the pattern in any of my imagined or improvised compositions.
Does anyone have any suggested instructional or clear-cut performance examples of this pattern/fill? Is there any advice that you can offer?
Currently, I feel like I'm playing the notes in order and on time without any understanding of why. I'm hoping that there's a karate-kid wax-on-wax-off epiphany in the near future.
The Marcus Williams Fill
Intro to Modulating Simple Rudiments! so much fun
http://ift.tt/1D7Wfcd
I had a lot of fun putting together a little video on modulating a single paradiddle over a subdivision pyramid and displacing it in every possible way at the same time! Its a little bit of work to get it together (was for me at least!) but the benefits have been huge moving this stuff around the kit and feeling totally free with it. Hope you dig it!
I had a lot of fun putting together a little video on modulating a single paradiddle over a subdivision pyramid and displacing it in every possible way at the same time! Its a little bit of work to get it together (was for me at least!) but the benefits have been huge moving this stuff around the kit and feeling totally free with it. Hope you dig it!
Intro to Modulating Simple Rudiments! so much fun
in-ear monitoring question
i don't have much experience with PA's so this might be a simple question:- our band uses this analogue desk - http://ift.tt/1FTBpn4
we usually have one wedge monitor out front and the sound's not that great at the back, so i'd like to buy some in-ear monitors for me, but i'm unsure how i'd go about hooking them up to the desk. what channel and type of connection would i use for in-ear monitors?
cheers
we usually have one wedge monitor out front and the sound's not that great at the back, so i'd like to buy some in-ear monitors for me, but i'm unsure how i'd go about hooking them up to the desk. what channel and type of connection would i use for in-ear monitors?
cheers
in-ear monitoring question
2 pearl eliminator slave pedal problems!...
has anyone else ever experienced either of these issues?...
1. i've never been able to get my slave (left) pedal to the same height as the right one. i've tried all the obvious things like making sure the cams are the same, the chains are set to the same height etc, but there doesn't seem to be a simple easy way of re-aligning the pedal. it's slightly lower than my right hand pedal and really annoys me at times
2. when i set the spring tension so that the pedals feel equal, i sometimes get more of a 'bounce-back' from the slave pedal. it kind feels like you're doing a heel-toe double stroke. this doesn't happen on the right pedal
obviously your body tries to compensate for both of these problems, but it would obviously be much nicer if they both had an even height and response. i don't have either of these issues with my dw5000's on the practice kit
cheers!
1. i've never been able to get my slave (left) pedal to the same height as the right one. i've tried all the obvious things like making sure the cams are the same, the chains are set to the same height etc, but there doesn't seem to be a simple easy way of re-aligning the pedal. it's slightly lower than my right hand pedal and really annoys me at times
2. when i set the spring tension so that the pedals feel equal, i sometimes get more of a 'bounce-back' from the slave pedal. it kind feels like you're doing a heel-toe double stroke. this doesn't happen on the right pedal
obviously your body tries to compensate for both of these problems, but it would obviously be much nicer if they both had an even height and response. i don't have either of these issues with my dw5000's on the practice kit
cheers!
2 pearl eliminator slave pedal problems!...
Grooving with paradiddles and linear phrasing
Drummers!
This is a video where am I using paradiddles and linear phrasing as 16th note triplets and 32nd notes. Hope you like it
http://ift.tt/1FTBp6u
This is a video where am I using paradiddles and linear phrasing as 16th note triplets and 32nd notes. Hope you like it
http://ift.tt/1FTBp6u
Grooving with paradiddles and linear phrasing
Fast swing (Cherokee ) groove 79 GE 2.0
So here I am , playing along/reading tommy igoe groove essentials 1 and 2. Haven't done it in a while and it shows all my flaws.
I get to 79 and it shows fast swing. I play along and it is a medium swing . I was like "whatta??" I just keep on playing. Then it goes to the second chorus and it's double time !!! I keep on playing , everything falls apart .
Right hand is kinda ok (I'd say 70%). Left foot just can't keep up. I just can't bounce my leg thst fast. Try to do stuff with snare and kick : just fogataboutit!!!!
What's the trick with those types of tempi? Any enlightenment that could be provided ??? Lol
FYI, here is the YouTube link
http://ift.tt/1BlzHtx
Tempo is 350 :O
I get to 79 and it shows fast swing. I play along and it is a medium swing . I was like "whatta??" I just keep on playing. Then it goes to the second chorus and it's double time !!! I keep on playing , everything falls apart .
Right hand is kinda ok (I'd say 70%). Left foot just can't keep up. I just can't bounce my leg thst fast. Try to do stuff with snare and kick : just fogataboutit!!!!
What's the trick with those types of tempi? Any enlightenment that could be provided ??? Lol
FYI, here is the YouTube link
http://ift.tt/1BlzHtx
Tempo is 350 :O
Fast swing (Cherokee ) groove 79 GE 2.0
Going to jams and getting my ass musically kicked is a good thing.
So lately I have been going to jazz jams in the city I live in. It's hosted by the local jazz-college and most of the people there study jazz or have studied jazz.
Just watching all those young cats play incredible things was a real humbling experience for me and it inspired med to practice more and also gave me many good ideas. I also jammed on 3 songs last time, and I was really nervous but I made it through. Though I'm not a jazz drummer per se, it was also was a very good experience for me. Just going up from the crowd to play songs I've never or rarely heard, with people I've never met.
So if any of you are in a drumming rut, you should head out to some local jams and watch even play. It helped for me.
Anyone else had similar experiences?
Just watching all those young cats play incredible things was a real humbling experience for me and it inspired med to practice more and also gave me many good ideas. I also jammed on 3 songs last time, and I was really nervous but I made it through. Though I'm not a jazz drummer per se, it was also was a very good experience for me. Just going up from the crowd to play songs I've never or rarely heard, with people I've never met.
So if any of you are in a drumming rut, you should head out to some local jams and watch even play. It helped for me.
Anyone else had similar experiences?
Going to jams and getting my ass musically kicked is a good thing.
Drummer Group Practice suggestions?
Hi everyone,
could you some suggestions on group practicing. Once a week 4 of us get together and have a practice pad and drumset sesssion for couple of hours. Since my buddy owns a drumshop, we have plenty of drumsets setup.
I have the pad workout pretty much under control. Most of these guys never really focused on rudiments and hand development. They certainly don;t like playing to the metronome, but getting better at it. But certainly know their way around the kit. they call me "Rudiment Ron" ... too funny...
Other than applying rudiments to the kit, and other suggestions would be great.
Another idea I just thought of is maybe applying stick control to the set?
Otherwise it's chaos......
could you some suggestions on group practicing. Once a week 4 of us get together and have a practice pad and drumset sesssion for couple of hours. Since my buddy owns a drumshop, we have plenty of drumsets setup.
I have the pad workout pretty much under control. Most of these guys never really focused on rudiments and hand development. They certainly don;t like playing to the metronome, but getting better at it. But certainly know their way around the kit. they call me "Rudiment Ron" ... too funny...
Other than applying rudiments to the kit, and other suggestions would be great.
Another idea I just thought of is maybe applying stick control to the set?
Otherwise it's chaos......
Drummer Group Practice suggestions?
Fatback System (Gary Chaffee)
Hope that's the right section - if not, move it!
So, I finally managed to develop my first app!
It's basically a generator for the fatback system by Gary Chaffee - I'm sure you heard about that?
The app is mainly for drummers but also for bass players!
Find out why and what it can do here:
http://ift.tt/1BgzhVo
Hope you enjoy it :)
So, I finally managed to develop my first app!
It's basically a generator for the fatback system by Gary Chaffee - I'm sure you heard about that?
The app is mainly for drummers but also for bass players!
Find out why and what it can do here:
http://ift.tt/1BgzhVo
Hope you enjoy it :)
Fatback System (Gary Chaffee)
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fdgfjyjtkfmdlgmd;fh
Drummers who don't play/use a ride cymbal.
Apart from Phill Rudd&Lars Ulrich what other known drummers DON'T play/use a ride cymbal?.
Drummers who don't play/use a ride cymbal.
What cymbal to invest in next
lundi 23 février 2015
Hey guys,
My name is Dave and I've recently just joined the forum.
I currently play the following setup
Drums: SJC Custom Kit (Birch with Maple Re-rings)
22X20 Bass drum
16x16 Floor Tom
12x8 Mount Tom
14X6 Snare
Cymbals:
Zildjian ZBT hi-hat 14"
Zildjian A Custom Projection Crash 16"
Zildjian ZBT Ride 20"
Zildjian ZBT China 16"
Zildjian ZBT Splash 10"
I just sold off an 18" Tosco Full Crash Cymbal and I'm looking to replace it with something I can really dig into. The full crash had too high overtones and didnt sound awesome in recordings as I needed to compress the living hell out of it in the mix. I like to play metal like A Day to Remember, and pop-punk stuff like Green Day. I also like a lot of blink-182 which I play a lot of covers of, and I dub into the world of jazz, mainly swing and latin grooves such a bombossa(I can't spell). In plain english, I need a crash cymbal good for all that and preferably zildjian. Any ideas?
My name is Dave and I've recently just joined the forum.
I currently play the following setup
Drums: SJC Custom Kit (Birch with Maple Re-rings)
22X20 Bass drum
16x16 Floor Tom
12x8 Mount Tom
14X6 Snare
Cymbals:
Zildjian ZBT hi-hat 14"
Zildjian A Custom Projection Crash 16"
Zildjian ZBT Ride 20"
Zildjian ZBT China 16"
Zildjian ZBT Splash 10"
I just sold off an 18" Tosco Full Crash Cymbal and I'm looking to replace it with something I can really dig into. The full crash had too high overtones and didnt sound awesome in recordings as I needed to compress the living hell out of it in the mix. I like to play metal like A Day to Remember, and pop-punk stuff like Green Day. I also like a lot of blink-182 which I play a lot of covers of, and I dub into the world of jazz, mainly swing and latin grooves such a bombossa(I can't spell). In plain english, I need a crash cymbal good for all that and preferably zildjian. Any ideas?
What cymbal to invest in next
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George Way Drum Co. ?
Anyone own or play these? The more I learn about these kits and listen to them the more impressed I get. Here's an example of the walnut shells in what appears to be a bedroom with just a few mics. Pretty nice!
http://ift.tt/17sdFrr
http://ift.tt/17sdFrr
George Way Drum Co. ?
Progressive Rock Drumming
Hello Everyone,
I play in a progressive rock band based out of Salem, NH, called Versa Mynor. We released an EP back in August, so I decided to film and record a drum play through of our song "Sincerely, Jack". If you enjoyed this, you can listen to the rest of the "Bloodlines" EP on Spotify, iTunes or bandcamp. You can also check out the rest of my covers on my YouTube channel as well. Thanks!
http://ift.tt/18gzxXJ
I play in a progressive rock band based out of Salem, NH, called Versa Mynor. We released an EP back in August, so I decided to film and record a drum play through of our song "Sincerely, Jack". If you enjoyed this, you can listen to the rest of the "Bloodlines" EP on Spotify, iTunes or bandcamp. You can also check out the rest of my covers on my YouTube channel as well. Thanks!
http://ift.tt/18gzxXJ
Progressive Rock Drumming
I developed an app for the Fatback System (Gary Chaffee)
Hope that's the right section - if not, move it!
So, I finally managed to develop my first app!
It's basically a generator for the fatback system by Gary Chaffee - I'm sure you heard about that?
The app is mainly for drummers but also for bass players!
Find out why and what it can do here:
http://ift.tt/1BgzhVo
Hope you enjoy it :)
So, I finally managed to develop my first app!
It's basically a generator for the fatback system by Gary Chaffee - I'm sure you heard about that?
The app is mainly for drummers but also for bass players!
Find out why and what it can do here:
http://ift.tt/1BgzhVo
Hope you enjoy it :)
I developed an app for the Fatback System (Gary Chaffee)
Sabian Duo (Click Hats)
Last summer I picked up a pair of 14" Sabian HH Duo hats. Loved the sound from the start, but found they didn't project all that well. Since then I have been using an AAX stage bottom hi hat with them. Gives the darker loose sound on the top with the volume and click due to the heavier bottom.
Well today I discovered that Sabian also has the HHX Click hats which have a sound I love. After watching the videos and listening to recordings from our show the results are really close to the sound I am getting for a much lower price. I am picking up a 14" AA Regular hat (bottom only), also heavy. Planning on drilling two vent holes just like the duo bottom.
Here are some videos about the HHX click hats: http://ift.tt/1D4Kovz
The Ray Luzier video is the best imho in demonstrating how they sound.
Well today I discovered that Sabian also has the HHX Click hats which have a sound I love. After watching the videos and listening to recordings from our show the results are really close to the sound I am getting for a much lower price. I am picking up a 14" AA Regular hat (bottom only), also heavy. Planning on drilling two vent holes just like the duo bottom.
Here are some videos about the HHX click hats: http://ift.tt/1D4Kovz
The Ray Luzier video is the best imho in demonstrating how they sound.
Sabian Duo (Click Hats)
The legendary sweet spot
I hear people mention about tuning to a drum's "sweet spot".
I wanted to discuss exactly what this means.
As a pure guess, I would think that for example any 12 x 8 tom would have a "sweet spot" in a similar place, with things like wood type, construction, and all the other factors being responsible for exactly where this mythical "sweet spot" is. But my guess is they would all be in pretty close proximity...tuning-wise...to each other. Total guess and am looking for cheers, jeers, opinions, or what have you.
Also, does a sweet spot actually exist? If so, it implies a very narrow range where the drum sings best. Again, another guess. Clarification sought.
In my experience, a drum can sound really great over the span of around 2 octaves at least. So what determines where the sweet spot is?
Also, take a given drum, with a given set of heads and tensions, and say you find it's sweet spot. Assign it a note value, call it a C. Would a different set of heads, with different thicknesses and/or ply makeups...tuned to a that same C....would that drum still be in the sweet spot?
Can anybody offer any facts or anecdotal stories of if/how they found a drum's sweet spot?
Or is it just a myth?
I wanted to discuss exactly what this means.
As a pure guess, I would think that for example any 12 x 8 tom would have a "sweet spot" in a similar place, with things like wood type, construction, and all the other factors being responsible for exactly where this mythical "sweet spot" is. But my guess is they would all be in pretty close proximity...tuning-wise...to each other. Total guess and am looking for cheers, jeers, opinions, or what have you.
Also, does a sweet spot actually exist? If so, it implies a very narrow range where the drum sings best. Again, another guess. Clarification sought.
In my experience, a drum can sound really great over the span of around 2 octaves at least. So what determines where the sweet spot is?
Also, take a given drum, with a given set of heads and tensions, and say you find it's sweet spot. Assign it a note value, call it a C. Would a different set of heads, with different thicknesses and/or ply makeups...tuned to a that same C....would that drum still be in the sweet spot?
Can anybody offer any facts or anecdotal stories of if/how they found a drum's sweet spot?
Or is it just a myth?
The legendary sweet spot
A Decent Inexpensive Throne
Any suggestions?
I have a Tama one at home which is pretty good (although it doesn't stay at the height i want, it just slides down when i sit on it, i have to get it fixed)
What are some other thrones that are inexpensive but durable?
I have a Tama one at home which is pretty good (although it doesn't stay at the height i want, it just slides down when i sit on it, i have to get it fixed)
What are some other thrones that are inexpensive but durable?
A Decent Inexpensive Throne
Muffled Tom Heads
Hey,
i was just wondering if there are heads for toms that are already muffled, like the ones you can get for the bass.
I play drums for an organization and the place where we play music is quite small and we have to muffle the drums with whatever, i would rather just find heads that come muffled already.
Thanks!
i was just wondering if there are heads for toms that are already muffled, like the ones you can get for the bass.
I play drums for an organization and the place where we play music is quite small and we have to muffle the drums with whatever, i would rather just find heads that come muffled already.
Thanks!
Muffled Tom Heads
Need Advice using Buttkshaker on my drum throne
I am a real novice when it comes to pro audio gear. I bought one of the aura shakers. It's a 50W @ 4ohms. I mounted it directly under my seat. I am currently powering it with the bass players back up amp. It works pretty good. The band plays loud as hell. Since this is his back up he needs it for gigs. I just purchased a Behringer NU1000 which runs @ 300 @ 4ohm, and comes with a sub crossover. I was told more power is better than less to drive transducers. It's lightweight and price was right. I did notice that the kick mic picks up the bass players signal quite a bit, triggering the shaker as well. I read I believe it was Bermuda who says he runs his BK gated. So I was think of picking up this DBX 266XL 2 CHANNEL COMPRESSOR/LIMITER/NOISE GATE XLR I/O TRS for $50 to add to the chain. Last question is could I just use a basic mic splitter or small little 2 or 4 channel box to run to and from FOH? Thanks
Need Advice using Buttkshaker on my drum throne
Top 10 премьер 2015 года
Hello Всем!!!
Хочу представить Вам сборку лучших фильмов 2015 года, которую сам собрал.
Ежегодно киноманы во всем мире с нетерпением ожидают выхода в прокат новых кинолент. Одни ждут продолжения фильмов и сериалов, которые произвели настоящий фурор в прошлых сезонах, другие - очередного появления любимого актера или актрисы на киноэкране, третьи – выхода совершенно новых историй и работ от именитых режиссеров. В рейтинг самых ожидаемых кинопремьер 2015 года входят:
1. «Паранормальное явление: Призраки». Сюжет ленты повествует о жизни домохозяйки Эмили и ее мужа программиста Райана, которые пережили смерть своей младшей дочери. Для того, чтобы избавиться от печальных воспоминаний, семья переезжает в другой штат. Однако их намерениям не суждено сбыться, так как даже в новом месте они не находят покоя – в доме за ними наблюдает Зло; Посмотреть трейлер
2. «Терминатор: Генезис». Это первая часть из будущей трилогии, рассказывающей о Джоне Конноре, возглавляющем сопротивление. В ленте зрители ознакомятся с альтернативной историей, в которую будут также включены эпизоды из предыдущих фильмов о Терминаторе, переданные по-новому. Также в фильме будет раскрыта иная история жизни Сары Коннор, отрицающей свою судьбу и неминуемое будущее – войну людей с Скайнетом; Скачать фильм
3. «Форсаж 7». Долгожданное продолжение популярного американского боевика о драйве, мести и сексуальности. Команда Доминика Торетто разделается с своим главным врагом Оуэном Шоу, однако в игру ввяжется его брат, жаждущий вендетты; Скачать фильм
4. «Фокус». Мошенник Никки Сперджеон, которого играет звездный Уилл Смит, берет себе в ученицы молодую девушку Марго Робби для того, чтобы обучить ее своему ремеслу. Со временем герои расстаются, и несколькими годами позже, девушка предает Никки и его цель провернуть крайне сложную аферу; Скачать фильм 5. «Голодные игры: Сойка-пересмешница. Часть 2». В следующей части нашумевшей ленты-антиутопии, снятой по мотивам романа Сьюзен Коллинз, главные герои – Китнисс Эвердин и Пит Мелларк будут сражаться в боях гражданской войны, которая произойдет между Капитолием и смелыми и отважными районами Панема;
6. «В сердце моря». Это биографический фильм о членах экипажа, миссия которых – выжить в открытом море в течение 90 дней после того, как их корабль столкнулся с гигантским кашалотом. Чем дольше они находятся в море, тем больше становится их тяга к каннибализму; Скачать фильм
7. «Пятьдесят оттенков серого». Мелодрама, в которой бизнесмен и молодая девушка, заключившие между собой контракт, участвуют в эротических приключениях. В основу фильма лег сюжет одноименного бестселлера; Скачать фильм
8. «Несломленный». Данная кинолента является второй режиссерской работой, голливудской звезды Анджелины Джоли. Картина показывает жизнь вполне реальной личности – Луи Дзамперини, который воевал в годы Второй мировой войны. Он был участником Олимпийских игр 1936 года, а также летчиком. В ходе войны ему пришлось пережить авиакатастрофу, бомбардирование с вражеских самолетов, нападение акул и плен; Скачать фильм
9. «Звездные войны. Эпизод 7». Очередная серия мега-фильма снова расскажет о героических сражениях джедаев и ситхов, воюющих в далеких мирах. Звездный состав актеров заставит зрителя задуматься над вопросами морально-философского плана: в чем разница между справедливостью и не справедливостью, жадностью и щедростью, а также как сделать правильный выбор; Скачать фильм
10. «Третий лишний 2». Продолжение легкой романтической комедии о двух влюбленных молодых людях. В фильме не обойдется без игрушечного медведя Теда, славящегося своим хулиганским нравом и любовью к девушкам, которому в этой части ленты придется остепениться – по сюжету у него появится вторая половинка. Скачать фильм
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Хочу представить Вам сборку лучших фильмов 2015 года, которую сам собрал.
Ежегодно киноманы во всем мире с нетерпением ожидают выхода в прокат новых кинолент. Одни ждут продолжения фильмов и сериалов, которые произвели настоящий фурор в прошлых сезонах, другие - очередного появления любимого актера или актрисы на киноэкране, третьи – выхода совершенно новых историй и работ от именитых режиссеров. В рейтинг самых ожидаемых кинопремьер 2015 года входят:
1. «Паранормальное явление: Призраки». Сюжет ленты повествует о жизни домохозяйки Эмили и ее мужа программиста Райана, которые пережили смерть своей младшей дочери. Для того, чтобы избавиться от печальных воспоминаний, семья переезжает в другой штат. Однако их намерениям не суждено сбыться, так как даже в новом месте они не находят покоя – в доме за ними наблюдает Зло; Посмотреть трейлер
2. «Терминатор: Генезис». Это первая часть из будущей трилогии, рассказывающей о Джоне Конноре, возглавляющем сопротивление. В ленте зрители ознакомятся с альтернативной историей, в которую будут также включены эпизоды из предыдущих фильмов о Терминаторе, переданные по-новому. Также в фильме будет раскрыта иная история жизни Сары Коннор, отрицающей свою судьбу и неминуемое будущее – войну людей с Скайнетом; Скачать фильм
3. «Форсаж 7». Долгожданное продолжение популярного американского боевика о драйве, мести и сексуальности. Команда Доминика Торетто разделается с своим главным врагом Оуэном Шоу, однако в игру ввяжется его брат, жаждущий вендетты; Скачать фильм
4. «Фокус». Мошенник Никки Сперджеон, которого играет звездный Уилл Смит, берет себе в ученицы молодую девушку Марго Робби для того, чтобы обучить ее своему ремеслу. Со временем герои расстаются, и несколькими годами позже, девушка предает Никки и его цель провернуть крайне сложную аферу; Скачать фильм 5. «Голодные игры: Сойка-пересмешница. Часть 2». В следующей части нашумевшей ленты-антиутопии, снятой по мотивам романа Сьюзен Коллинз, главные герои – Китнисс Эвердин и Пит Мелларк будут сражаться в боях гражданской войны, которая произойдет между Капитолием и смелыми и отважными районами Панема;
6. «В сердце моря». Это биографический фильм о членах экипажа, миссия которых – выжить в открытом море в течение 90 дней после того, как их корабль столкнулся с гигантским кашалотом. Чем дольше они находятся в море, тем больше становится их тяга к каннибализму; Скачать фильм
7. «Пятьдесят оттенков серого». Мелодрама, в которой бизнесмен и молодая девушка, заключившие между собой контракт, участвуют в эротических приключениях. В основу фильма лег сюжет одноименного бестселлера; Скачать фильм
8. «Несломленный». Данная кинолента является второй режиссерской работой, голливудской звезды Анджелины Джоли. Картина показывает жизнь вполне реальной личности – Луи Дзамперини, который воевал в годы Второй мировой войны. Он был участником Олимпийских игр 1936 года, а также летчиком. В ходе войны ему пришлось пережить авиакатастрофу, бомбардирование с вражеских самолетов, нападение акул и плен; Скачать фильм
9. «Звездные войны. Эпизод 7». Очередная серия мега-фильма снова расскажет о героических сражениях джедаев и ситхов, воюющих в далеких мирах. Звездный состав актеров заставит зрителя задуматься над вопросами морально-философского плана: в чем разница между справедливостью и не справедливостью, жадностью и щедростью, а также как сделать правильный выбор; Скачать фильм
10. «Третий лишний 2». Продолжение легкой романтической комедии о двух влюбленных молодых людях. В фильме не обойдется без игрушечного медведя Теда, славящегося своим хулиганским нравом и любовью к девушкам, которому в этой части ленты придется остепениться – по сюжету у него появится вторая половинка. Скачать фильм
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Top 10 премьер 2015 года
Lady Gaga on the Oscars.
I have to say, I was totally floored by her singing of songs from "The Sound of Music"
I had no idea she was that accomplished of a singer. I totally dismissed her without really knowing anything about her, my ignorance. She acted with total class when Julie Andrews came out too. My opinion of her did a 180 after seeing that.
Neil Patrick Harris was too stiff and didn't smile enough. Was not crazy about him as a host.
I had no idea she was that accomplished of a singer. I totally dismissed her without really knowing anything about her, my ignorance. She acted with total class when Julie Andrews came out too. My opinion of her did a 180 after seeing that.
Neil Patrick Harris was too stiff and didn't smile enough. Was not crazy about him as a host.
Lady Gaga on the Oscars.
PDP Concept (Birch or Maple) vs Gretsch Catalina Club Classic
I know both brands use totally differerent woods. I've just been searching for info on their quality but I can't find much about that comparison.
I'm just lookin something with a 20" kick, 4 piece. But between those two, which is better made?
Thanks for taking some time to reply.
I'm just lookin something with a 20" kick, 4 piece. But between those two, which is better made?
Thanks for taking some time to reply.
PDP Concept (Birch or Maple) vs Gretsch Catalina Club Classic
Buying cymbals online
I am interested to hear how people get hold of their cymbals these days. There are very few shops stocking much anywhere near me - you can get Zildjian and Sabian but that's about it. Im looking at brands like Istanbul and Bosphorus but it seems I would have to travel for hours to go and try some out.
I have been watching some youtube videos of the ones that interest me, and was just wondering if anyone else has had a good experience of buying this way?
I have been watching some youtube videos of the ones that interest me, and was just wondering if anyone else has had a good experience of buying this way?
Buying cymbals online
replacement bass drum mic for this specific setup...
first off, i currently use a samson qkick mic and it's been doing the job fine for a couple of years. however, a short while ago i broke the clip so it's basically duct taped to my mic stand so i'm limited with positioning, so i figured it's time to buy a new one as it's served it's time!...
i'm no expert when it comes to micing (or tuning of the kick in all honesty) so i'm looking for some advice with a replacement. i don't want to buy cheap and cheerful mic as i gig quite regular, but on the other hand there's no point spending a fortune on a top-end mic when the rest of the gear (and my tuning) isn't up to the same standard
so the scanario is as follows:- this is for live use only, no studio work. we generally play small to medium sized bars and clubs with no more than a few hundred people maximum. i play classic rock and metal and i use a 20" mapex saturn kick with emad 2 batter and stock mapex (evans?) reso head with 4" holz. i have a small hand towel rolled up against the batter head. regarding the PA, we have a relatively basic setup:- a behringer 24 channel analogue desk (SL2442FX-PRO) with a behringer super-x pro CX2310 crossover, 3 power amps which power a couple of monitors and 3 speakers per side (for high, mid, and bottom end). that's about it. we don't use a sound engineer so i don't really want anything too fancy that requires too much fiddling about - it really needs to have a decent sound straight out of the box so we can more or less plug-n-play with just a few basic tweaks on the desk
so.... what's your recommendations?!
thanks
i'm no expert when it comes to micing (or tuning of the kick in all honesty) so i'm looking for some advice with a replacement. i don't want to buy cheap and cheerful mic as i gig quite regular, but on the other hand there's no point spending a fortune on a top-end mic when the rest of the gear (and my tuning) isn't up to the same standard
so the scanario is as follows:- this is for live use only, no studio work. we generally play small to medium sized bars and clubs with no more than a few hundred people maximum. i play classic rock and metal and i use a 20" mapex saturn kick with emad 2 batter and stock mapex (evans?) reso head with 4" holz. i have a small hand towel rolled up against the batter head. regarding the PA, we have a relatively basic setup:- a behringer 24 channel analogue desk (SL2442FX-PRO) with a behringer super-x pro CX2310 crossover, 3 power amps which power a couple of monitors and 3 speakers per side (for high, mid, and bottom end). that's about it. we don't use a sound engineer so i don't really want anything too fancy that requires too much fiddling about - it really needs to have a decent sound straight out of the box so we can more or less plug-n-play with just a few basic tweaks on the desk
so.... what's your recommendations?!
thanks
replacement bass drum mic for this specific setup...
Best (affordable) amp for electric drums
So since i am going to play my electrics with real cymbals, wearing headphones wouldn't be the best idea.
So i am looking for the best type of amp for the drums, since i don't want to blow them quickly i want the low end to be good.
I have heard bass amps are good, but what kind? And are there any that have good high end as well as low end?
So i am looking for the best type of amp for the drums, since i don't want to blow them quickly i want the low end to be good.
I have heard bass amps are good, but what kind? And are there any that have good high end as well as low end?
Best (affordable) amp for electric drums
Just got some Genistas!!
Found these on Craigslist and was surprised to see them around my neck of the woods. They're 20/10/12/14/16, 90s era, 1993 according to the guy I bought them from. Overall, in pretty good shape to be 23 years old and to have 2 previous owners who were both in touring bands. I've seen a few small scratches on the 10". And I saw on the kick where the actual lacquer has a small crack around one of the lugs. Other than that, just need some cleaning. The lugs and hoops have some patina on them.
There are a couple of annoyances that the previous owner did that I am gonna change. Mainly, he replaced the stock bass drum claws with some dumb black ones and spray painted the rods black on the reso side. He put a kickport on the reso head (that's just a preference thing for me).
I'm gonna gradually restore them/improve some stuff as I get money. Mostly small stuff like putting nylon washers on all the rods, replacing the BD claws with die cast ones with gaskets. I like the fact that he put natural finished maple hoops on the kick, but there are some gashes on them. So I'll eventually want to replace those as well. I also don't have enough tom mounts to set up everything, so right now I just have the 10" and 14" set up. Here's the few pics I have so far.
TL;DR - here are my new Genistas!!
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There are a couple of annoyances that the previous owner did that I am gonna change. Mainly, he replaced the stock bass drum claws with some dumb black ones and spray painted the rods black on the reso side. He put a kickport on the reso head (that's just a preference thing for me).
I'm gonna gradually restore them/improve some stuff as I get money. Mostly small stuff like putting nylon washers on all the rods, replacing the BD claws with die cast ones with gaskets. I like the fact that he put natural finished maple hoops on the kick, but there are some gashes on them. So I'll eventually want to replace those as well. I also don't have enough tom mounts to set up everything, so right now I just have the 10" and 14" set up. Here's the few pics I have so far.
TL;DR - here are my new Genistas!!
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[IMG]
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[IMG]
Just got some Genistas!!
No rudiments taught in marching band?
dimanche 22 février 2015
When I was in High School, I joined:
Marching Band (snare)
Stage Band (drum set)
Concert Band (timpani)
Not only were we not taught ANY rudiments, but their existence was never mentioned.
I missed out BIG time!
If I would've learned them WAAAAY back in High School, life would be a bit easier now.
Were ANY rudiments taught to any of you in High School (assuming you were involved in any of the band classes of course!)?
Marching Band (snare)
Stage Band (drum set)
Concert Band (timpani)
Not only were we not taught ANY rudiments, but their existence was never mentioned.
I missed out BIG time!
If I would've learned them WAAAAY back in High School, life would be a bit easier now.
Were ANY rudiments taught to any of you in High School (assuming you were involved in any of the band classes of course!)?
No rudiments taught in marching band?
What stands for overhead mics?
The title pretty well says it all. I'm trying to find a couple of good quality, fairly easy on the checkbook overhead mic stands.
Thanks for any input.
Thanks for any input.
What stands for overhead mics?
Crowdfunding Campaign to Compensate "Amen Break" Owner
From Engadget:
Donate here: http://ift.tt/1vhWmUZ
Quote:
The "Amen break" is arguably the most important 6 seconds of music ever recorded. With the popularization of sampling, the 4-bar drum solo (originally from The Winstons' 1969 track "Amen, Brother") become a mainstay of early hip hop, before being sped up and chopped to become the breakbeat that defined jungle, drum 'n' bass and techno music. Despite it featuring in many, many successful tracks, The Winstons never received any royalties for use of the sample, something that a new crowdfunding campaign is hoping to fix. A GoFundMe page tilted "The Winstons Amen Breakbeat Gesture" is looking to raise as much money as possible for Richard L. Spencer, The Winstons' lead vocalist and "Amen, Brother" copyright holder. Spencer has always maintained he and his fellow band members deserve compensation for use of the sample. In a 2011 interview, he lamented that Gregory Coleman, the drummer that played the famous break, "died homeless and broke," and urged musicians that had found success using the sample to give something back. After just a day, the total raised by the campaign stands at over $4,500 -- just a fraction of what the sample has earned others, but not a bad start. |
Donate here: http://ift.tt/1vhWmUZ
Crowdfunding Campaign to Compensate "Amen Break" Owner
Whiplash Oscar win - will it spur sudden interest in "jazz drumming"?
And the Academy Award for Best Supporting Actor goes to the angry guy from Whiplash...
Given that folks can be easily influenced (like when the Taco Bell chihuahua inspired everyone and their mum to go out and get a chihuahua - which they promptly dumped in animal shelters a few months later...) should we anticipate an increased interest in "jazz drumming" (or should that be an increased interest in profuse sweating and snare drum punching?) or drumming in general now?
Given that folks can be easily influenced (like when the Taco Bell chihuahua inspired everyone and their mum to go out and get a chihuahua - which they promptly dumped in animal shelters a few months later...) should we anticipate an increased interest in "jazz drumming" (or should that be an increased interest in profuse sweating and snare drum punching?) or drumming in general now?
Whiplash Oscar win - will it spur sudden interest in "jazz drumming"?
Songs with Cello
On the weekend, my band played a gig. For two songs we were joined by a cellist (Into Temptation by Crowded House and Autumn Leaves by just about everybody).
The audience loved it, the cellist had a blast, and we enjoyed the new sounds we had. So much so that we're looking for other songs that include cello.
We play classic rock type stuff, but we're prepared to go mellower or rockier for the right song. So far I've come up with the following.
Sting – Shape of My Heart
Green Day – Time of Your Life
Oasis – Wonderwall
10,000 Maniacs – Because The Night (I know, originally Patti Smith)
Anybody have any other suggestions?
(I've tried googling, and used the search but neither yielded anything useful.)
The audience loved it, the cellist had a blast, and we enjoyed the new sounds we had. So much so that we're looking for other songs that include cello.
We play classic rock type stuff, but we're prepared to go mellower or rockier for the right song. So far I've come up with the following.
Sting – Shape of My Heart
Green Day – Time of Your Life
Oasis – Wonderwall
10,000 Maniacs – Because The Night (I know, originally Patti Smith)
Anybody have any other suggestions?
(I've tried googling, and used the search but neither yielded anything useful.)
Songs with Cello
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